"Meta Bass" by Isotope 217 had its release date on August 8, 2000. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. This song is part of Who Stole The I Walkman? by Isotope 217. The song's track number on the album is #3 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. Meta Bass is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Meta Bass by Isotope 217 has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Meta Bass being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slipstream | Jon Hassell | F♯ Minor | 5 | 11A | 82 BPM | ||
| Shop In Store | Oval | D♭ Minor | 5 | 12A | 103 BPM | ||
| Cartaforbicesasso | dom mino' | D Major | 6 | 10B | 122 BPM | ||
| Total Recovery | Chicago Underground Quartet | A Minor | 5 | 8A | 178 BPM | ||
| When Day Chokes The Night | Do Make Say Think | C Major | 3 | 8B | 76 BPM | ||
| Test Area | Broadcast | B♭ Minor | 5 | 3A | 106 BPM | ||
| Utopia and Visions | Don Cherry, Tommy Koverhult, Tommy Goldman, Maffy Falay, Tage Siven, Okay Temiz | D♭ Major | 4 | 3B | 88 BPM | ||
| In Sarah, Mencken, Christ, and Beethoven There Were Women and Men | Tortoise | F♯ Minor | 3 | 11A | 110 BPM | ||
| Triangle | Alira | D♭ Minor | 5 | 12A | 145 BPM | ||
| Ten-Day Interval | Tortoise | A Minor | 4 | 8A | 150 BPM | ||
| Kidding King | Bever | G Major | 2 | 9B | 138 BPM | ||
| Y QUE TU QUIERE | Plasmo Blob | D♭ Major | 3 | 3B | 176 BPM | ||
| Vamp To Vibe | Matthew Shipp, Gerald Cleaver, Khan Jamal, William Parker | D♭ Major | 9 | 3B | 101 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| Kōshi (格子, checks) | Sam Gendel | A♭ Minor | 2 | 1A | 126 BPM | ||
| Dust Settles, Hearts Don't | Sense Nox | G Major | 2 | 9B | 138 BPM | ||
| Urban_escape_elegy | CARLOS BEL | G Major | 2 | 9B | 138 BPM | ||
| Endless Summer | Fennesz | D♭ Major | 6 | 3B | 107 BPM | ||
| The Daily Planet | Mark Hollis | A Minor | 2 | 8A | 118 BPM | ||
| 6.2 | Supersilent | C Minor | 2 | 5A | 110 BPM | ||
| Day’s End | Woonai | B Minor | 3 | 10A | 156 BPM | ||
| Black Tree in the Bee Yard | The Sea and Cake | G Major | 2 | 9B | 116 BPM | ||
| A Perspective with No End | Tomaga | G Minor | 4 | 6A | 116 BPM | ||
| Love To Love You Baby - Textstar Version | Farben | A♭ Major | 5 | 4B | 118 BPM | ||
| Cotton Skies Don't Lie | Sense Nox | G Major | 2 | 9B | 138 BPM |