Ned Rorem, Glorivy Arroyo, Margot Rood, Brendan Buckley, Stefan Barner, Jonas Budris, Jason Connell, Angela Gooch, Matthew DiBattista, Gil Rose's 'Our Town, Act I: "Why, Hello, George Gibbs"' had a release date set for June 9, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Ned Rorem: Our Town". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Our Town, Act I: "Why, Hello, George Gibbs" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Our Town, Act I: "Why, Hello, George Gibbs" by Ned Rorem, Glorivy Arroyo, Margot Rood, Brendan Buckley, Stefan Barner, Jonas Budris, Jason Connell, Angela Gooch, Matthew DiBattista, Gil Rose having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spring | Ned Rorem | C Major | 1 | 8B | 172 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung (Arr. for Clarinet and Piano by R. Sévère) | Robert Schumann, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 74 BPM | ||
| Falla: Noches en los jardines de España: III. En los jardines de la sierra de Córdoba | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | F Major | 2 | 7B | 97 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | F Major | 2 | 7B | 97 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): I. Moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | F Major | 2 | 7B | 97 BPM | ||
| III. Allegro comodo — Allegro deciso | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | F Major | 2 | 7B | 97 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | F Major | 2 | 7B | 97 BPM | ||
| Four Walls Act 1 Scene II | John Cage, Margaret Leng Tan, Joan La Barbara | B Major | 9 | 1B | 134 BPM | ||
| Symphony No. 1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | F Major | 2 | 7B | 97 BPM | ||
| Música callada I: No. 6, Lento | Federico Mompou, Stephen Hough | G Major | 0 | 9B | 70 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Nocturne Op. 8 No. 4 – Andante | Milenna Jovic | D Minor | 0 | 7A | 71 BPM | ||
| Youth: IX. Heath | Edmund Finnis, Clare Hammond | D♭ Minor | 0 | 12A | 83 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): III. Allegretto | Dmitri Shostakovich, Ensemble Ouranos | F Major | 2 | 7B | 97 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| 12 Notations pour piano: IX Lointain - Calme | Pierre Boulez, David Fray | F Major | 0 | 7B | 131 BPM |