"The Sirens" by Alessandro Cicognini, Franco Ferrara had its release date on October 10, 2013. This song appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "Ulysses (Ost) [1954]". In this album, this song's track order is #9. The Sirens is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sirens by Alessandro Cicognini, Franco Ferrara having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Urban Glow | Lumi Risto | A♭ Major | 3 | 4B | 61 BPM | ||
| The Syncopated Clock | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | F Major | 4 | 7B | 115 BPM | ||
| Pinocchio: La Tempesta | Fiorenzo Carpi | D Major | 2 | 10B | 131 BPM | ||
| El Alcance del Tiempo | Sirenas Celestiales | F Minor | 0 | 4A | 108 BPM | ||
| The Red and Blue / Fight on, Pennsylvania Medley (2006) | University Of Pennsylvania Band | B♭ Major | 4 | 6B | 192 BPM | ||
| The Palace Fight | John Barry | E♭ Minor | 4 | 2A | 106 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maria mit Kindern | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | D Minor | 2 | 7A | 137 BPM | ||
| L'An 1812 | Wojciech Kilar | A Major | 4 | 11B | 109 BPM | ||
| Procession of the Nobles | Olive the Otter Dog | C Minor | 2 | 5A | 112 BPM | ||
| Casablanca | Royal Philharmonic Orchestra | A♭ Major | 3 | 4B | 61 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Austrian Dreams Waltz/Finale | Alessandro Cicognini | C Major | 2 | 8B | 176 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | A♭ Major | 3 | 4B | 61 BPM | ||
| Finale | Richard Rodney Bennett | C Major | 3 | 8B | 47 BPM | ||
| La vita è bella | Nicola Piovani, Claudio Scimone, I Solisti Veneti | D Major | 2 | 10B | 59 BPM | ||
| Générique / finale - From La grande bagarre de Don Camillo, 1955 | Alessandro Cicognini | D♭ Major | 3 | 3B | 77 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| The Flower Girl (La Violetera) | Charlie Chaplin | E♭ Major | 3 | 5B | 133 BPM | ||
| The Truth Lies In On The Lips Of Dead | Danke Timi Briggs | B♭ Major | 3 | 6B | 78 BPM | ||
| Miss Marple Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | A Major | 2 | 11B | 84 BPM | ||
| Holocaust In Memoriam, Symphony: II. Fuga (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 5 | 6A | 74 BPM | ||
| Pane, amore e... | Alessandro Cicognini, Giuseppe Grazioli, Orchestra Sinfonica di Milano Giuseppe Verdi | B Minor | 3 | 10A | 113 BPM | ||
| Aufruhr und Brand im Forrester-Lager - From "Winnetou II" | Martin Böttcher | F Major | 3 | 7B | 115 BPM | ||
| The Hollow | Christopher Gunning, Rumon Gamba, BBC Philharmonic | F♯ Minor | 1 | 11A | 50 BPM | ||
| Rústica: Danza de España - Remastered | Orquesta Ibérica De Madrid, Germán Lago | A Minor | 1 | 8A | 137 BPM |