Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli's 'Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino)' had a release date set for January 1, 2003. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 21 in Elgar: Cello Concerto op.85 · Enigma Variations · Pomp and Circumstance 1 & 4 by Edward Elgar, Mischa Maisky, Giuseppe Sinopoli, Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) by Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enigma Variations, Op. 36: Var. 8. Allegretto "W.N." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 78 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | ||
| Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Daniel Barenboim | D♭ Major | 0 | 3B | 66 BPM | ||
| Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 104 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
| Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Julian Lloyd Webber | F Major | 1 | 7B | 86 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski) | George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 84 BPM | ||
| Carmen Concert Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM |