Richard Lynch's ' "Right Where He Ought To Be" was released on its scheduled release date, November 5, 2024. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Some Days Are Better Than Others". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Right Where He Ought To Be's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Right Where He Ought To Be by Richard Lynch having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grandpa & Grandma | Richard Lynch | G Major | 8 | 9B | 149 BPM | ||
| It Was His | Mike Manuel | D Major | 5 | 10B | 146 BPM | ||
| Where Are All the Girls I Used to Cheat With | Wesley Dennis, Caleb Daugherty | B Major | 5 | 1B | 107 BPM | ||
| A Memory I Can't Drown | Anthony Price | G Major | 5 | 9B | 140 BPM | ||
| Too Late to Call It Love | Cody Lane | E♭ Major | 5 | 5B | 154 BPM | ||
| Beaches of My Mind | Terry Glen Adams | E♭ Major | 6 | 5B | 132 BPM | ||
| Lillie's White Lies | Martin Delray | B♭ Major | 5 | 6B | 118 BPM | ||
| Sing Me Back Home | Noel Cassidy | A♭ Major | 4 | 4B | 110 BPM | ||
| Battle in the Mind | Digital Soul Music | F Major | 5 | 7B | 166 BPM | ||
| Made For Me, Made For You | Owen Morton | B♭ Major | 6 | 6B | 101 BPM | ||
| On My Way | Dusty McBoots | A Major | 6 | 11B | 118 BPM | ||
| The Past Ten Years | Weldon Henson | B Major | 6 | 1B | 85 BPM | ||
| What She Don't Know Won't Hurt Her | Dustin Sonnier | F Major | 5 | 7B | 102 BPM | ||
| A Thousand Memories | Brian Mallery | G Major | 4 | 9B | 82 BPM | ||
| Nobody Wins | Teea Goans | B♭ Major | 4 | 6B | 79 BPM | ||
| Kauri Heartstrings | Doctor Krarly | F Major | 4 | 7B | 79 BPM | ||
| Sleep | Pete Schlegel | B Minor | 7 | 10A | 160 BPM | ||
| All I Know About Texas | Terry Glen Adams | G Major | 5 | 9B | 140 BPM | ||
| I've Been Drinking More | Pete Schlegel | D Major | 7 | 10B | 107 BPM | ||
| Rest Your Love on Me | Richard Lynch | A Major | 6 | 11B | 93 BPM | ||
| I Don't Want to Loose You | Will Banister | F♯ Major | 6 | 2B | 126 BPM | ||
| Is Anybody Going to San Antone | Buddy Jewell | E Major | 5 | 12B | 114 BPM | ||
| The Phone Call | Richard Lynch | G Major | 8 | 9B | 149 BPM | ||
| I Quit Lyin' In 1986 | Pirates Of The Mississippi | G Major | 6 | 9B | 120 BPM | ||
| That Girl Who Waits on Tables | Richard Lynch | A Major | 6 | 11B | 93 BPM |