George Benson's ' "Return Of The Prodigal Son" was released on its scheduled release date, 1966. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Return Of The Prodigal Son's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The George Benson Cookbook". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Return Of The Prodigal Son is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Return Of The Prodigal Son by George Benson having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| After the Dance - Edit | Fourplay, Don Murray | D♭ Minor | 6 | 12A | 99 BPM | ||
| Down Here on the Ground | George Benson | F Major | 6 | 7B | 102 BPM | ||
| Everybody Dance - 2018 Remaster | CHIC | F Minor | 7 | 4A | 130 BPM | ||
| Greatest Love of All | Whitney Houston | A Major | 3 | 11B | 131 BPM | ||
| Can't Get By Without You | The Real Thing | D♭ Minor | 8 | 12A | 99 BPM | ||
| Am I The Same Girl? | Swing Out Sister | B♭ Minor | 10 | 3A | 92 BPM | ||
| In Love's Time | Dave Valentin | D Major | 6 | 10B | 75 BPM | ||
| You and I | Delegation | B Minor | 7 | 10A | 112 BPM | ||
| Teach Me Tonight | Al Jarreau | D Major | 3 | 10B | 206 BPM | ||
| Baby, I Need Your Love | Angela Bofill | A♭ Major | 8 | 4B | 81 BPM | ||
| All Right | Christopher Cross | F♯ Minor | 6 | 11A | 133 BPM | ||
| I Just Can't Let Go | Ambrosia, Rob Chiarelli | E Major | 5 | 12B | 76 BPM | ||
| Forget Me Nots | Lee Ritenour | F♯ Minor | 7 | 11A | 110 BPM | ||
| For Once In My Life | Gladys Knight & The Pips | C Major | 3 | 8B | 82 BPM | ||
| Somehow Our Love Survives | Joe Sample | D Minor | 6 | 7A | 102 BPM | ||
| Who's Holding Donna Now? | DeBarge | E♭ Minor | 3 | 2A | 90 BPM | ||
| I Don't Have the Heart | James Ingram | D Major | 4 | 10B | 89 BPM | ||
| Spinning | Christopher Cross | A Major | 2 | 11B | 103 BPM | ||
| You To Me Are Everything | The Real Thing | C Major | 7 | 8B | 102 BPM | ||
| Let Me Be Good to You | Lou Rawls | C Minor | 7 | 5A | 119 BPM | ||
| You Make Me Feel Brand New | The Stylistics | G Major | 4 | 9B | 76 BPM | ||
| Love All the Hurt Away | Aretha Franklin, George Benson | D♭ Major | 5 | 3B | 128 BPM | ||
| It's A Shame | The Spinners | B Major | 6 | 1B | 199 BPM | ||
| Still A Friend Of Mine | Incognito | A Major | 5 | 11B | 87 BPM | ||
| Giving You the Best That I Got | Anita Baker | D Major | 4 | 10B | 106 BPM |