On July 10, 2024, the song "Late Arrival" was released by David Tick. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Late Arrival's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 40 in David Tick by David Tick. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Late Arrival's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Late Arrival by David Tick is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coral Boulevard | Brass with Brush | F Minor | 4 | 4A | 120 BPM | ||
| Lattice Verandah | Sax Street Jazz | D Minor | 3 | 7A | 76 BPM | ||
| Equivocacion del sol | Eterna Ceniza | D♭ Major | 6 | 3B | 115 BPM | ||
| The Onset of Night | Greg Walker | E♭ Minor | 2 | 2A | 85 BPM | ||
| Silhouette Atrium | Silas Blackwell | D Minor | 3 | 7A | 76 BPM | ||
| Sleeve Archive | JazzInk | G Major | 4 | 9B | 120 BPM | ||
| It’s Sunny Outside | Rejhee Dark | E Minor | 6 | 9A | 153 BPM | ||
| Alone Together | Alan Marchand | C Major | 9 | 8B | 135 BPM | ||
| Urban Wave | Sandgrounder | D Major | 3 | 10B | 100 BPM | ||
| The View From Above | Magpie Jazz Trio | A♭ Major | 1 | 4B | 183 BPM | ||
| Velvet Aisles | Murmur Haven | B♭ Minor | 3 | 3A | 174 BPM | ||
| Noir Playroom | Dada Jazz Cafè | C Major | 3 | 8B | 107 BPM | ||
| The Avenue Beyond the Veil | The Half Light Ensemble | D♭ Major | 2 | 3B | 88 BPM | ||
| Should I Cry | Serendipity Soundscapes | C Major | 4 | 8B | 90 BPM | ||
| After the cocktail | NAS BROS PROJECT | E Minor | 3 | 9A | 90 BPM | ||
| Serenade Lointaine | Piper Coral | B Minor | 4 | 10A | 151 BPM | ||
| Bottom Line | Olsen Collective | C Minor | 3 | 5A | 140 BPM | ||
| Last Call at The Velvet Room | The Midnight Groove | G Major | 2 | 9B | 93 BPM | ||
| Winter Nightsong - Key A Ver. | Super Mystic Waters | B Major | 2 | 1B | 204 BPM | ||
| Pencil Coast Rhythm | Bluestroke | D Minor | 3 | 7A | 76 BPM | ||
| Flying Sign | George Bridges | A♭ Major | 2 | 4B | 147 BPM | ||
| I Think He's Devoted | Thomas Purfrey | E♭ Minor | 2 | 2A | 160 BPM | ||
| ジャズ サックス | 色気の街 | F Minor | 3 | 4A | 100 BPM | ||
| Jazz Instrumental Music | Pablo Maisky | F Major | 1 | 7B | 92 BPM | ||
| Boppin' | Tim Cusick | F Minor | 3 | 4A | 73 BPM |