The Starting Line's 'Making Love To The Camera' had a release date set for January 1, 2005. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 13 in Based On A True Story by The Starting Line. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Making Love To The Camera is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Making Love To The Camera by The Starting Line is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scandalous | Head Automatica | D♭ Major | 8 | 3B | 178 BPM | ||
| Top 5 Addictions | Hidden In Plain View | E Major | 10 | 12B | 128 BPM | ||
| Bloody Romance | Senses Fail | E♭ Major | 4 | 5B | 96 BPM | ||
| Sleep | Taking Back Sunday | A♭ Major | 9 | 4B | 128 BPM | ||
| The Chaser | Hidden In Plain View | E Major | 10 | 12B | 140 BPM | ||
| All We Ever Needed | The Early November | F♯ Major | 5 | 2B | 91 BPM | ||
| White Lights | Rufio | B Major | 10 | 1B | 166 BPM | ||
| God | Head Automatica | D♭ Major | 10 | 3B | 142 BPM | ||
| Paper, Rock, Scissors | JamisonParker | B Major | 8 | 1B | 135 BPM | ||
| Number Five With A Bullet | Taking Back Sunday | A Major | 9 | 11B | 143 BPM | ||
| Grey Matter | Finch | F♯ Major | 10 | 2B | 112 BPM | ||
| Belly Full of Kerosen | Hidden In Plain View | E Major | 10 | 12B | 140 BPM | ||
| Battlescars | Punchline | E Major | 7 | 12B | 98 BPM | ||
| I Want To Save You | Something Corporate | E♭ Major | 9 | 5B | 148 BPM | ||
| A Sharp Is a Flat | Punchline | D♭ Minor | 9 | 12A | 193 BPM | ||
| Tenth Street | Valencia | B Minor | 9 | 10A | 106 BPM | ||
| Home Is Where the Heart Is | A Change of Pace | C Major | 9 | 8B | 168 BPM | ||
| Autography | The Starting Line | C Major | 9 | 8B | 134 BPM | ||
| Set Phasers To Stun | Taking Back Sunday | D♭ Minor | 9 | 12A | 167 BPM | ||
| Lasting Impressions | The Starting Line | E Major | 6 | 12B | 98 BPM | ||
| Daybreak | Northstar | G Major | 9 | 9B | 96 BPM | ||
| Reckless Abandonment | The Spill Canvas | E♭ Minor | 10 | 2A | 181 BPM | ||
| Kill the Messenger - 2015 Remastered | Jack's Mannequin | G Minor | 8 | 6A | 165 BPM | ||
| Against My Better Judgment | Further Seems Forever | F♯ Major | 9 | 2B | 145 BPM | ||
| Sunrise Goodbyes | Houston Calls | B Major | 9 | 1B | 163 BPM |