David Lee Murphy's ' "Almost Like Being There" was released on its scheduled release date, January 1, 1997. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of We Can't All Be Angels by David Lee Murphy. The song's track number on the album is #9 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Almost Like Being There is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Almost Like Being There by David Lee Murphy has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Almost Like Being There being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amarillo Sky | Jason Aldean | D Major | 8 | 10B | 155 BPM | ||
| Sideways | Dierks Bentley | F Minor | 9 | 4A | 108 BPM | ||
| Beer On The Table | Josh Thompson | D♭ Major | 9 | 3B | 129 BPM | ||
| Fall Into Me | Emerson Drive | D Major | 8 | 10B | 97 BPM | ||
| The Ride | David Allan Coe | F Major | 4 | 7B | 84 BPM | ||
| That's How Country Boys Roll | Billy Currington | D Major | 9 | 10B | 121 BPM | ||
| I Brake For Brunettes | Rhett Akins | E Minor | 9 | 9A | 125 BPM | ||
| Copperhead Road | Steve Earle | G Major | 6 | 9B | 163 BPM | ||
| I Love This Bar | Toby Keith | D Major | 8 | 10B | 115 BPM | ||
| A Different World | Bucky Covington | A Major | 7 | 11B | 129 BPM | ||
| Friday Night In Dixie | Rhett Akins | F Major | 8 | 7B | 97 BPM | ||
| Barefoot Blue Jean Night | Jake Owen | E Major | 8 | 12B | 172 BPM | ||
| Country Club | Travis Tritt | E Major | 6 | 12B | 126 BPM | ||
| The Race Is On | Sawyer Brown | E Major | 5 | 12B | 180 BPM | ||
| Gimmie That Girl | Joe Nichols | D Major | 9 | 10B | 162 BPM | ||
| Size Matters (Someday) | Joe Nichols | F Major | 8 | 7B | 175 BPM | ||
| Courtesy Of The Red, White And Blue (The Angry American) | Toby Keith | D Major | 7 | 10B | 112 BPM | ||
| Redneck Yacht Club | Craig Morgan | A♭ Major | 9 | 4B | 166 BPM | ||
| Sweet Southern Comfort | Buddy Jewell | D Major | 6 | 10B | 148 BPM | ||
| Lot Of Leavin' Left To Do | Dierks Bentley | B Major | 9 | 1B | 118 BPM | ||
| No One Else On Earth | Wynonna | C Major | 9 | 8B | 99 BPM | ||
| Beer and Bones | John Michael Montgomery | G Major | 6 | 9B | 121 BPM | ||
| XXX's And OOO's (An American Girl) | Trisha Yearwood | C Major | 6 | 8B | 126 BPM | ||
| Boots On | Randy Houser | A♭ Major | 9 | 4B | 112 BPM | ||
| When Will I Be Loved | Karla Bonoff, Vince Gill | D Major | 5 | 10B | 138 BPM |