"フライ・ミー・トゥ・ザ・ムーン" by 松宮幹彦 had its release date on 1998. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. フライ・ミー・トゥ・ザ・ムーン's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ウクレレ, so we believe that "フライ・ミー・トゥ・ザ・ムーン" is a single. In terms of popularity, フライ・ミー・トゥ・ザ・ムーン is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of フライ・ミー・トゥ・ザ・ムーン by 松宮幹彦 is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Django Style Delight | Guitar Music | G Major | 1 | 9B | 119 BPM | ||
| 長い間 | 松宮幹彦 | E Minor | 1 | 9A | 75 BPM | ||
| Soft Morning | Fredrik Johansson | A Major | 2 | 11B | 146 BPM | ||
| Drifting Tides | Tom Ellenhag | E Major | 2 | 12B | 176 BPM | ||
| Room 102 | Áron Bobály | E Minor | 1 | 9A | 90 BPM | ||
| To Whom It May Concern | Maria Isabel Ferrer | A Minor | 1 | 8A | 134 BPM | ||
| MoriNemuru | Satoshi Gogo | E♭ Major | 1 | 5B | 122 BPM | ||
| You're Almost There | Alan Shoesmith | A Major | 2 | 11B | 144 BPM | ||
| Stay Close to Me | Nakoa Torres | A Minor | 0 | 8A | 78 BPM | ||
| Brotherly Love | Jonas Kahnberg | E Minor | 1 | 9A | 176 BPM | ||
| シェイプ・オブ・マイ・ハート~「レオン」より | 松宮幹彦 | G Major | 3 | 9B | 92 BPM | ||
| 愛は吐息のように~「トップガン」より | 松宮幹彦 | E Minor | 1 | 9A | 75 BPM | ||
| Now and Then | Georg Dybowski, Andreas Heuser | A Minor | 2 | 8A | 94 BPM | ||
| Hidden Emotional Currents | Jonka Ebony | D Minor | 1 | 7A | 180 BPM | ||
| Saga of Harrison Crabfeathers | Ernesto Iglesias | C Minor | 1 | 5A | 110 BPM | ||
| Tears | Acoustic Connection | E Major | 2 | 12B | 113 BPM | ||
| Candlelight Serenade | Mateo Rodríguez | D Major | 1 | 10B | 120 BPM | ||
| ラブリー・ライフ | Bryan Kessler | C Major | 1 | 8B | 142 BPM | ||
| Kosmos | Robert D Boman | E Minor | 1 | 9A | 176 BPM | ||
| Ojos Del Mar | Julian Mari | C Major | 1 | 8B | 86 BPM | ||
| Shadows of Sleep | Channing Spence | E Major | 1 | 12B | 106 BPM | ||
| Ikigai | Scott Reece | B♭ Major | 4 | 6B | 106 BPM | ||
| Sutilmente | Lullaby Texture | D Major | 2 | 10B | 77 BPM | ||
| Birth of Sigh | Gontiti | G Major | 4 | 9B | 101 BPM | ||
| Drifting Clouds | Hans York | C Major | 0 | 8B | 202 BPM |