"Since You've Been Mine" by Tony Martin had its release date on 2006. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Since You've Been Mine's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tony Martin's "Moderation" album is number 7 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Since You've Been Mine is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Since You've Been Mine by Tony Martin to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (We'll have) Manhattan | Dinah Shore, Tony Martin | G Minor | 1 | 6A | 122 BPM | ||
| I Get Ideas | Tony Martin | D Major | 4 | 10B | 63 BPM | ||
| In the Cool, Cool, Cool of the Evening | Frankie Carle | B♭ Major | 3 | 6B | 125 BPM | ||
| Makin' Whoopee | Eddie Cantor | B♭ Major | 3 | 6B | 125 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| Dreamboat | Alma Cogan | F Major | 3 | 7B | 172 BPM | ||
| Blue Skies | Frank Sinatra, Tommy Dorsey Orchestra | A Minor | 3 | 8A | 128 BPM | ||
| Party Time | Jack Shaindlin | C Minor | 5 | 5A | 151 BPM | ||
| That Old Black Magic | Tony Martin | F♯ Minor | 3 | 11A | 136 BPM | ||
| The Five Pennies | The Cast | A♭ Major | 3 | 4B | 93 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee and His Connecticut Yankees | B♭ Major | 3 | 6B | 125 BPM | ||
| A Man Chases a Girl | Debbie Reynolds | F Major | 3 | 7B | 105 BPM | ||
| Wait for Me (Ti Diro) | Malcolm Vaughan | B♭ Minor | 3 | 3A | 80 BPM | ||
| I Apologise - 2003 Remaster | Billy Eckstine | D♭ Major | 3 | 3B | 119 BPM | ||
| Till There Was You | Anita Bryant | B♭ Major | 3 | 6B | 125 BPM | ||
| Shine On, Harvest Moon | Ruth Etting | B♭ Major | 3 | 6B | 125 BPM | ||
| The Last Time I Saw Paris | Anne Shelton | B♭ Major | 3 | 6B | 125 BPM | ||
| Goodnight My Love | Carroll Gibbons, The Savoy Hotel Orpheans | A♭ Major | 2 | 4B | 62 BPM | ||
| Because You Come To Me | Al Tornello | D♭ Major | 2 | 3B | 87 BPM | ||
| Kiss Of Fire (with Henri René & His Orchestra) - Remastered | Tony Martin, Henri René and His Orchestra | E Minor | 3 | 9A | 97 BPM | ||
| You're the Top | Hal Kemp And His Orchestra, Skinnay Ennis | A Major | 3 | 11B | 107 BPM | ||
| Yes Sir, That's My Baby! - Remastered | Eddie Cantor | A♭ Major | 4 | 4B | 113 BPM | ||
| One more | harizonaa | B♭ Major | 3 | 6B | 125 BPM | ||
| Domino | Tony Martin | E Minor | 3 | 9A | 85 BPM | ||
| It's a Blue World | Tony Martin | F Major | 1 | 7B | 102 BPM |