Chet Atkins's 'Tap Room' had a release date set for May 5, 1985. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Stay Tuned". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Tap Room's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Tap Room by Chet Atkins having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Steelin' Moonlight | Speedy West | G Major | 2 | 9B | 102 BPM | ||
| Back to Nashville | Franco Morone | G Major | 4 | 9B | 92 BPM | ||
| Dobro Island | Mike Auldridge | E Major | 2 | 12B | 96 BPM | ||
| Guitar Blues | Chet Atkins & The All-Star Hillbillies | C Major | 2 | 8B | 141 BPM | ||
| In the Jailhouse Now | Jimmie Rodgers | C Major | 2 | 8B | 164 BPM | ||
| Witchcraft | Buddy Emmons | F Minor | 2 | 4A | 79 BPM | ||
| Freeborn Man | Junior Brown | G Major | 5 | 9B | 151 BPM | ||
| My soul in the west | The New Country West | G Major | 4 | 9B | 122 BPM | ||
| Jesus Was a Capricorn (Owed to John Prine) | Kris Kristofferson | G Major | 5 | 9B | 95 BPM | ||
| Long Gone Lonesome Blues | Hank Williams, Drifting Cowboys | E Major | 3 | 12B | 123 BPM | ||
| Spanish Fandango | Norman Blake | F♯ Major | 4 | 2B | 158 BPM | ||
| Blues Man | Lloyd Green | G Major | 2 | 9B | 91 BPM | ||
| Stratosphere Boogie | Jimmy Bryant | A♭ Minor | 8 | 1A | 136 BPM | ||
| Seven Come Eleven | The Buckaroos | F Major | 5 | 7B | 118 BPM | ||
| Swingy Boogie | Marcel Dadi, Jean-Félix Lalanne | A Major | 2 | 11B | 185 BPM | ||
| Please Baby | The Notting Hillbillies | C Major | 1 | 8B | 104 BPM | ||
| Praire Moon | Tish Hinojosa | B♭ Major | 2 | 6B | 127 BPM | ||
| Root, Hog Or Die | Mother Maybelle, The Carter Sisters | B♭ Major | 3 | 6B | 120 BPM | ||
| Cattle Call | Lenny Breau, Chet Atkins | C Major | 2 | 8B | 125 BPM | ||
| I'm Just an Old Chunk of Coal (But I'm Gonna Be a Diamond Someday) | Billy Joe Shaver | A Major | 6 | 11B | 101 BPM | ||
| Old Mexico | Marty Stuart And His Fabulous Superlatives | B Major | 2 | 1B | 101 BPM | ||
| I'll Be All Smiles Tonight | Shot Jackson, Buddy Emmons | D Major | 4 | 10B | 99 BPM | ||
| Bass Guitar Blues | George Barnes | C Major | 2 | 8B | 116 BPM | ||
| Waltz Medley | Shot Jackson, Buddy Emmons | A Major | 3 | 11B | 87 BPM | ||
| Goodbye Old Missoula | Willis Alan Ramsey | B Major | 3 | 1B | 92 BPM |