On August 1, 2014, the song "Chelvayya Cheluvo" was released by P.Kalinga Rao. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in P.Kalinga Rao, H. R. Leelavathi's "Ilidhu Baa Thayee" album is number 9 out of 10. On top of that, India appears to be the country where this track was created. Chelvayya Cheluvo is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chelvayya Cheluvo by P.Kalinga Rao to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vinayakashtakam - Namadevavrundam | Unnikrishnan | C Major | 6 | 8B | 119 BPM | ||
| Kaliyu Nintha | Rajkumar | F Minor | 7 | 4A | 142 BPM | ||
| MUCCHIBIDU MANASINA | Ravindra Nayak Sannakkibettu, Raghavendra Beejadi | F♯ Minor | 8 | 11A | 125 BPM | ||
| Aadhimoolam Vetti | Vijayaraghava kurup | F Major | 6 | 7B | 127 BPM | ||
| Prabhu chintan karo prabhu pyar | Brahma Kumaris | F Minor | 3 | 4A | 130 BPM | ||
| Atthe Maava Gange | Veerabhadra S. Soundi, Sujatha Dutt, Puttur Narasimha Nayak, Surekha, Pallavi, B. R. Chaya, Premalatha | D Minor | 6 | 7A | 182 BPM | ||
| Oh Yallalinga | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | B♭ Minor | 8 | 3A | 111 BPM | ||
| Loka Kalyani | B. R. Chaya | C Major | 6 | 8B | 105 BPM | ||
| Bhaktarali Obbanagi | Puttur Narasimha Nayak | F♯ Major | 7 | 2B | 100 BPM | ||
| Appenaa Rooppone Katileshwari... | Puttur Narasimha Nayak | F♯ Major | 7 | 2B | 175 BPM | ||
| Aaru Hithavaru Ninage | P.Kalinga Rao | C Major | 7 | 8B | 172 BPM | ||
| Jaya Jaya Mooshaka | S. P. Balasubrahmanyam, Narasimhanayak Puttur, K.S. Surekha, Shashidhar Kote, L. N. Shahtri, B. R. Chaya, S. Janaki | F Major | 4 | 7B | 107 BPM | ||
| Hum Bhakton Ki Aankho Main | Madan Gopal | E Major | 4 | 12B | 176 BPM | ||
| Hoova Tanniri | Chorus | D Minor | 3 | 7A | 102 BPM | ||
| Sondhangale (From "Aduthathu Albert") | Ilaiyaraaja, Malaysia Vasudevan | A Major | 2 | 11B | 110 BPM | ||
| Ale Ale Yaagi Kelide | B.K. Sumitra | F♯ Major | 5 | 2B | 82 BPM | ||
| Jaya Bharatha Maathe | Dr. M. Balamuralikrishna, P.Kalinga Rao, Traditional | B Minor | 7 | 10A | 107 BPM | ||
| Narahariye Ninna (Siri Ramana) | Mysore Ramachandrachar | F♯ Major | 6 | 2B | 144 BPM | ||
| Kookoo Enuthide | C. Ashwath | E Minor | 4 | 9A | 162 BPM | ||
| Mangala Roopa | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Anjaa Nenjam Tharum | Rajkumar Bharathi | G Major | 6 | 9B | 99 BPM | ||
| Priya Madhuvanadali | B. R. Chaya, P.Kalinga Rao, Kumtekar | B Minor | 7 | 10A | 107 BPM | ||
| Ugarakolladavva | Mahalakshmi Iyer | A Minor | 6 | 8A | 174 BPM | ||
| Sandyaga Hindinda | H. B. Fareet, Nandita | A Major | 3 | 11B | 120 BPM | ||
| Hennumakkale Nimage | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM |