Messiah, HWV 56: Part II: Hallelujah (Chorus) by George Frideric Handel, Musica Sacra, Richard Westenburg Song Details

George Frideric Handel, Musica Sacra, Richard Westenburg's ' "Messiah, HWV 56: Part II: Hallelujah (Chorus)" was released on its scheduled release date, 1982. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Richard Westenburg's "Handel: Messiah" album is number 18 out of 53. On top of that, United States appears to be the country where this track was created. Messiah, HWV 56: Part II: Hallelujah (Chorus) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

We consider the tempo marking of Messiah, HWV 56: Part II: Hallelujah (Chorus) by George Frideric Handel, Musica Sacra, Richard Westenburg to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.078 dB
Acousticness: 90%
Danceability: 39%
Energy: 32%
Instrumentalness: 0%
Liveness: 58%
Loudness: 75%
Speechiness: 4%
Valence: 44%

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