Frédéric Chopin, Sarah Chang, Sandra Rivers, Nathan Milstein's 'Nocturne No. 20 In C Sharp Minor. Op. Post.' had a release date set for January 1, 1992. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 18 in Debut by Sarah Chang, Sandra Rivers. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Nocturne No. 20 In C Sharp Minor. Op. Post.'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Nocturne No. 20 In C Sharp Minor. Op. Post. by Frédéric Chopin, Sarah Chang, Sandra Rivers, Nathan Milstein is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saint-Saens: Le Cygne from Le Carnaval des Animaux "The Swan" | Jee-Yeon Hong | E♭ Major | 2 | 5B | 70 BPM | ||
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. Casals for Violin and Piano) | Gabriel Fauré, Daniel Lozakovich, Hélène Mercier | F Minor | 1 | 4A | 83 BPM | ||
| Tchaikovsky: Melodia Op.42 n.3 | Stefano Ligoratti & Yulia Berinskaya | E♭ Major | 1 | 5B | 179 BPM | ||
| Nocturne No. 20 In C Sharp Minor Opus Posth. | Frédéric Chopin, Marte Krogh | F Major | 5 | 7B | 106 BPM | ||
| Souvenir | František Drdla, Robert Koenig, Si-Qing Lu | A Major | 0 | 11B | 89 BPM | ||
| Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
| Nocturne No.20 in C Sharp Minor, Op.Posth. | Frédéric Chopin, Claudio Arrau | D♭ Minor | 0 | 12A | 64 BPM | ||
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | ||
| Centone Di Sonate, Op. 64, Ms 112: Sonata No. 2 In D Major: Adagio | Moshe Hammer, Norbert Kraft, Niccolò Paganini | A Major | 2 | 11B | 101 BPM | ||
| Waltz-Scherzo, Op. 34 | Pyotr Ilyich Tchaikovsky, Sarah Chang, Charles Abramovic | C Major | 2 | 8B | 105 BPM | ||
| Suite in the Old Style: III. Minuet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | A Minor | 0 | 8A | 109 BPM | ||
| Mazurka in A Minor, Op. 67 No. 4 | Frédéric Chopin, Mela Tenenbaum, Anton Nel | A Major | 1 | 11B | 109 BPM | ||
| Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 133 BPM | ||
| Theme original varie, Op. 15 | Henryk Wieniawski, Bartek Niziol, Waldemar Malicki | E Major | 1 | 12B | 86 BPM | ||
| Tchaikovsky: Souvenir d'un lieu cher, Op. 42: I. Méditation | Pyotr Ilyich Tchaikovsky, Alexander Markov, Alexander Markovich | E♭ Major | 0 | 5B | 97 BPM | ||
| Contemplation (After Brahms' Op. 105 No. 1) | Jascha Heifetz, Sueye Park, Love Derwinger | D♭ Major | 1 | 3B | 101 BPM | ||
| Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
| Sarasate: Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato | Pablo de Sarasate, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | D Minor | 1 | 7A | 111 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1 No. 5 (Arr. For Violin) | Johannes Brahms, Lakatos | G Minor | 3 | 6A | 93 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Daniel Lozakovich, Mikhail Pletnev | F♯ Minor | 1 | 11A | 104 BPM | ||
| Emotional Solo Violin | Rafael Krux, David Krulic | B♭ Major | 1 | 6B | 98 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Marko Ylönen, Arto Satukangas | B♭ Major | 0 | 6B | 87 BPM | ||
| Gluck "Melody" | Hrachya Harutyunian | D Minor | 3 | 7A | 95 BPM | ||
| Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Adagio | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Major | 1 | 11B | 91 BPM | ||
| Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM |