Bobbing Joe / Cuckolds all in a Row / Rufty Tufty by Public Domain, Hesperus Early Music Ensemble, Grant Herried, Scott Reiss, Mark Cudek Song Details

Public Domain, Hesperus Early Music Ensemble, Grant Herried, Scott Reiss, Mark Cudek's ' "Bobbing Joe / Cuckolds all in a Row / Rufty Tufty" was released on its scheduled release date, November 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 20 in An Early American Quilt by Public Domain, Hesperus Early Music Ensemble. Based on our statistics, Bobbing Joe / Cuckolds all in a Row / Rufty Tufty's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of Bobbing Joe / Cuckolds all in a Row / Rufty Tufty by Public Domain, Hesperus Early Music Ensemble, Grant Herried, Scott Reiss, Mark Cudek is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -17.852 dB
Acousticness: 90%
Danceability: 41%
Energy: 17%
Instrumentalness: 92%
Liveness: 29%
Loudness: 70%
Speechiness: 4%
Valence: 44%

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