Toshihiko Sahashi's 'THE PROCESS' had a release date set for November 20, 1999. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "THE Big-O Original Sound Score". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Japan. In terms of popularity, THE PROCESS is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With THE PROCESS by Toshihiko Sahashi having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 国境を越えた友情 | 坂部剛 | B♭ Major | 3 | 6B | 45 BPM | ||
| ショウマの変身 | Go Sakabe | D♭ Major | 7 | 3B | 132 BPM | ||
| Intervention | Kenji Kawai | B♭ Minor | 3 | 3A | 137 BPM | ||
| トップレス | Kohei Tanaka | D♭ Major | 8 | 3B | 98 BPM | ||
| レーザー・メドレー~3本の剣・ギャバン・シャリバン・シャイダー | Chumei Sound Orchestra | C Minor | 7 | 5A | 137 BPM | ||
| 疾風!Aの3カード | 三宅一徳 | C Major | 7 | 8B | 164 BPM | ||
| 全力出撃 | 亀岡夏海 | B♭ Minor | 8 | 3A | 103 BPM | ||
| 黒い波動 | Toshihiko Sahashi | D♭ Major | 8 | 3B | 66 BPM | ||
| 航行するミレニアム | Toshihiko Sahashi | C Major | 4 | 8B | 103 BPM | ||
| 50万年の戦い | ヘルシー・ウィングス・オーケストラ | A♭ Major | 6 | 4B | 80 BPM | ||
| 魂のデュエル | 福田康文 | D Minor | 5 | 7A | 110 BPM | ||
| 運命のジョーカー | 中川幸太郎, 鳴瀬 シュウヘイ | F Minor | 10 | 4A | 135 BPM | ||
| 神々の戦い/遊☆戯☆王 デュエルモンスターズ BGM カバー | CRA | A Minor | 3 | 8A | 148 BPM | ||
| RECOVER | Kenji Kawai | D♭ Major | 8 | 3B | 128 BPM | ||
| Zafuto (5th Movement: Seigi to iu Na no Akai Kawa) | London Symphony Orchestra, Toshihiko Sahashi | F Major | 4 | 7B | 112 BPM | ||
| 艦隊交戦 | Toshihiko Sahashi | F Minor | 5 | 4A | 132 BPM | ||
| Gundam (7th Movement: Yureru Kokoro to Chikai no Kizuna) | London Symphony Orchestra, Toshihiko Sahashi | G Major | 3 | 9B | 93 BPM | ||
| MOBILE SUIT GUNDAM THE ORIGIN Main Theme | Takayuki Hattori | B♭ Major | 7 | 6B | 96 BPM | ||
| The Last Duel | 光宗信吉 | E Minor | 9 | 9A | 145 BPM | ||
| Elegant Force | Koutarou Nakagawa | F Minor | 8 | 4A | 122 BPM | ||
| 天を衝く花 | Hideakira Kimura | D Major | 5 | 10B | 69 BPM | ||
| Final shore ~ おお、再臨ありやと | Yoko Kanno | F Major | 2 | 7B | 78 BPM | ||
| マークザイン出撃 | 斉藤恒芳 | A♭ Major | 4 | 4B | 130 BPM | ||
| 天装戦隊のテーマ | 三宅一徳 | D♭ Major | 8 | 3B | 158 BPM | ||
| Action!! | YU-KI | B♭ Major | 7 | 6B | 85 BPM |