Philip Glass's ' "Music In Fifths" was released on its scheduled release date, February 1, 2010. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Sound Unbound : Excerpts And Allegories From The Sub Rosa Audio Archives". In this album, this song's track order is #25. Furthermore, we believe that the track originated from France. In terms of popularity, Music In Fifths is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Music In Fifths by Philip Glass having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| Koyaanisqatsi | Philip Glass, Philip Glass Ensemble, New York Philharmonic, Collegiate Chorale, Michael Riesman | D Minor | 0 | 7A | 65 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
| 3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 76 BPM | ||
| I. Primary Colours | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | F Minor | 2 | 4A | 104 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| Solveig's Song from Peer Gynt Suite No. 2, Op. 55 | BBC Scottish Symphony Orchestra | A Minor | 2 | 8A | 75 BPM | ||
| Million times | Catalin Sores | G Major | 1 | 9B | 65 BPM | ||
| David Melrose Theme | Hauschka | D Minor | 0 | 7A | 148 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| The Tearjerker Returns | Chilly Gonzales, Jarvis Cocker | G Minor | 0 | 6A | 80 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| I'm Going to Make a Cake (from "The Hours" Soundtrack) | Philip Glass, Khatia Buniatishvili | A Minor | 0 | 8A | 81 BPM | ||
| Re | Nils Frahm | F♯ Minor | 1 | 11A | 109 BPM | ||
| String Quartet No. 3 (Mishima): Mishima / Closing | Philip Glass, Kronos Quartet | E♭ Major | 0 | 5B | 143 BPM | ||
| Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM | ||
| Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
| Bær | Hildur Guðnadóttir | E Minor | 1 | 9A | 75 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| 1.4 Sarabande | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 2 | 9B | 144 BPM | ||
| A New Beginning | Alex Baranowski, Andy Brown, London Metropolitan Orchestra | D Minor | 1 | 7A | 80 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM |