"Brahms Op. 51/2 In A - Quasi Minuetto, Moderato" by Galatea Quartett, Andreas, Andreas Fleck had its release date on December 20, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 8 in Beethoven Opus 18/6 In B / Brahms Opus 51/2 In A by Galatea Quartett. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Brahms Op. 51/2 In A - Quasi Minuetto, Moderato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Brahms Op. 51/2 In A - Quasi Minuetto, Moderato by Galatea Quartett, Andreas, Andreas Fleck is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Chopin: Piano Trio in G Minor, Op. 8: III. Adagio. Sostenuto | Frédéric Chopin, Andreas Brantelid, Marianna Shirinyan, Vilde Frang | E♭ Major | 0 | 5B | 86 BPM | ||
| Piano Sonata in A minor K310, Presto | Warren Mailley-Smith | A Minor | 1 | 8A | 93 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 8a, Prelude in F-Sharp Minor | Dmitri Shostakovich, Sofia Sacco | D Major | 0 | 10B | 107 BPM | ||
| 12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 9 | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 78 BPM | ||
| Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
| L'art de Délier Les Doigts, Op. 740.: Pour Passer Le Pouce | Carl Czerny, Jean-Frédéric Neuburger | G Major | 2 | 9B | 59 BPM | ||
| Sinfonia No. 4 in C Minor, MWV N4: III. Allegro vivace | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | C Minor | 3 | 5A | 113 BPM | ||
| Overture in G Major, Op. 8, No. 5: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
| Beethoven Op. 18/6 In B - La Malinconia; Adagio-allegretto Quasi Allegro | Galatea Quartett, Andreas, Andreas Fleck | B♭ Major | 1 | 6B | 77 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Symphony in B-Flat Major: III. Presto | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | F Major | 3 | 7B | 126 BPM | ||
| Quintette No. 2 en Fa Majeur, Op. 41 G. 347: I. Allegro moderato | Luigi Boccherini, Ensemble Explorations, Roel Dieltiens | A Major | 1 | 11B | 133 BPM | ||
| String Quartet in E Minor, Op. 44, No. 2: III. Andante | Felix Mendelssohn, Cecilia String Quartet | B Minor | 0 | 10A | 89 BPM | ||
| Suite in B-Flat Major, HWV 434: II. Sonata - Allegro | George Frideric Handel, Ragna Schirmer | D Minor | 0 | 7A | 176 BPM | ||
| ブルクミュラー25の練習曲: 16. ちょっとした悲しみ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Terzetto in C Major, op. 74: I. Introduzione: Allegro ma non troppo - Live | Antonín Dvořák, Paul Neubauer, Arnaud Sussmann, Erin Keefe | C Minor | 2 | 5A | 132 BPM | ||
| Mélodie du Ciel | Etoilee | A♭ Minor | 1 | 1A | 98 BPM | ||
| Sonata for Keyboard and Violin in C Major, K. 14: II. Allegro | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | E Major | 0 | 12B | 127 BPM | ||
| Egmont, complete incidental music, Op. 84: vii. Entracte 4: Poco sostenuto e risoluto | Beethoven, Maurice Abravanel, Netania Davrath, Utah Symphony Orchestra, Walther Reyer | E Minor | 2 | 9A | 82 BPM | ||
| String Quartet No. 4 in C Major, K. 157: II. Andante | Eder Quartet | C Minor | 0 | 5A | 98 BPM | ||
| Piano Sonata Op. 27 No.1 in E Flat Major – Sonata quasi una Fantasia , Allegro molto e vivace – Attacca | Lorenzo Luiselli, Beethoven | E♭ Major | 3 | 5B | 142 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: I. Allegro | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | G Major | 0 | 9B | 83 BPM | ||
| Sonata No. 2 in C Major, Op. 5, G. 26: II. Largo | Luigi Boccherini, Enrico Gatti, Franco Angeleri | F Minor | 1 | 4A | 86 BPM | ||
| 6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM |