On May 20, 2014, the song "Yesterday You Left" was released by Al Basile. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Woke Up in Memphis by Al Basile. The song's track number on the album is #1 out of 14 tracks. The popularity of Yesterday You Left is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Yesterday You Left by Al Basile has a tempo of 176 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Yesterday You Left being at 176 BPM, the half-time would be 88 BPM with a double-time of 352 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baby Come Home | Chris Rea | G Major | 6 | 9B | 132 BPM | ||
| Is It News | Doyle Bramhall | C Minor | 5 | 5A | 110 BPM | ||
| Cold As The Midnight Sun | Jay-Bee & The Ultratone All-Stars | G Major | 7 | 9B | 96 BPM | ||
| In the Name of No Good | Altered Five Blues Band | F Major | 7 | 7B | 121 BPM | ||
| Bring Me My Whiskey | Mud Morganfield | C Major | 9 | 8B | 110 BPM | ||
| The World Has Changed | The Profitz | F♯ Major | 6 | 2B | 147 BPM | ||
| I Can't Have You | Dr. Bernardo & the Medicine | G Major | 5 | 9B | 170 BPM | ||
| Memphis in Your Soul | Doug MacLeod | E Major | 3 | 12B | 84 BPM | ||
| Feelin' Better Now | Andrew Duncanson, Michael Peloquin | E Major | 7 | 12B | 76 BPM | ||
| Ain't What You Say | Al Basile | G Minor | 6 | 6A | 95 BPM | ||
| Give Me on Reason | Rodrigo Nézio, Jefferson Goncalves, Duocondé Blues | D Major | 4 | 10B | 120 BPM | ||
| Don't Throw Your Love On Me So Strong | 5 Neat Guys | E Minor | 7 | 9A | 113 BPM | ||
| Shouldn' on Me | Keefer Madness | C Major | 8 | 8B | 142 BPM | ||
| Not the Wrong Woman | Al Basile | G Minor | 6 | 6A | 137 BPM | ||
| Killing Floor | Jimmy Burns | D Major | 6 | 10B | 115 BPM | ||
| Deep In My Soul | Lil Ed & The Blues Imperials | B♭ Major | 6 | 6B | 125 BPM | ||
| Cody's Blues | Akberet Beyene | A Major | 4 | 11B | 186 BPM | ||
| Hip Shakin;' | Bob Corritore, Lil' Ed | D Major | 8 | 10B | 94 BPM | ||
| Floodin’ In California | Melvin Taylor, Melvin Taylor & The Slack Band | A Minor | 7 | 8A | 90 BPM | ||
| Hazza's Boogie | Harry Athanass | B Major | 6 | 1B | 162 BPM | ||
| What Your Kisses Say | Al Basile | C Major | 7 | 8B | 105 BPM | ||
| Bring it on Back | The Profitz | B♭ Major | 5 | 6B | 114 BPM | ||
| No More Chances | Sugar Ray & The Bluetones | D Major | 2 | 10B | 65 BPM | ||
| Say a Prayer On My Behalf | Tommy Talton | B Minor | 3 | 10A | 173 BPM | ||
| The Next Big Thing | Matt Backer | G Major | 7 | 9B | 125 BPM |