Hiraman Sarode's ' "Panchpranachi Aarati" was released on its scheduled release date, August 14, 1997. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 13 in Banu Navri Natali Supari Futali by Parasad, Avdhut. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Panchpranachi Aarati's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Panchpranachi Aarati by Hiraman Sarode is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bagdanavala No Melo | Hemant Chauhan | B♭ Minor | 7 | 3A | 113 BPM | ||
| Swami Samarth Ashtak | Nirupama Dey | E♭ Major | 3 | 5B | 157 BPM | ||
| O Bondhu Poran Bondhure | Sanajit Mondal | B Minor | 6 | 10A | 131 BPM | ||
| Paha Manjula Majhya Bhimrayacha Mala | Vitthal Umap | B Minor | 6 | 10A | 83 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Chal Ho Shahna (Shaktiwale Gaulan) | Prakash Pajane, Madhukar Yadav | D♭ Minor | 9 | 12A | 84 BPM | ||
| Dhadhak Dhinakdhin | MANOJ TIWARI, Bela Sulakhe, Rekha Rao, Sumeet Baba | C Major | 5 | 8B | 97 BPM | ||
| Admapurala Balumama Nandatoy | Vijay Sartape | F Minor | 7 | 4A | 120 BPM | ||
| Ninugoorchi Ne Paadanaa | Symphony Music, A R Stevenson | C Major | 6 | 8B | 120 BPM | ||
| Maz Maran Yenyaadhi | Ranjit Khandagale | E Major | 7 | 12B | 79 BPM | ||
| Tai Aamchi Honar Navari | Shakuntala Jadhav | F♯ Major | 5 | 2B | 94 BPM | ||
| Hi Bhook Kashi Re | Yuvraj Pradhan | B♭ Minor | 5 | 3A | 82 BPM | ||
| Gori Saawan Mein Pyar Se | Madan Rai | D♭ Major | 5 | 3B | 139 BPM | ||
| Sui Ja Tu Paraniya Ma | Deepali Somaiya | B♭ Minor | 5 | 3A | 102 BPM | ||
| Rahudya Janmabhar (Turewale Stawan) | Devendra Ziman | B Minor | 7 | 10A | 88 BPM | ||
| Chala Kharsudila Javu | Shakuntala Jadhav | D♭ Minor | 8 | 12A | 97 BPM | ||
| Mahant Swami Shriji Sange | BAPS Swaminarayan Sanstha | A♭ Major | 8 | 4B | 111 BPM | ||
| Zhani Chamak Vage Ghughardi | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Bhol Bhavani | Bhimsingh Rathod | F Major | 6 | 7B | 129 BPM | ||
| Mon Tui Bina | Rahima Kalita (Begum) | A Major | 9 | 11B | 156 BPM | ||
| Kaparachya Jyoti Panchapranachi [AARTI] | Hiraman Sarode, Dattatray Kadam, Vittal Dhede | F♯ Minor | 6 | 11A | 114 BPM | ||
| Luta Chait Ke Lahar | Khesari Lal Yadav | F Minor | 8 | 4A | 143 BPM | ||
| Majhya Kanadya Kanadya Malhari | Hiraman Sarode, Dattatray Kadam, Vittal Dhede | F♯ Minor | 7 | 11A | 136 BPM | ||
| Ghunghat Ra Bairy Ho Gaye Bundeli Deshi Rai Khyal | Raju Patel, Dhaniram Sen | F Minor | 9 | 4A | 122 BPM | ||
| Din Ke Dile Alor Chithi | Raghab Chatterjee, Aditi Mukherjee | A♭ Minor | 5 | 1A | 184 BPM |