"All the Way to Munich" by Rob Van Bavel had its release date on 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rob Van Bavel's "Generations" album is number 1 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, All the Way to Munich is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of All the Way to Munich by Rob Van Bavel to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remembering You | Trio Rosa | G Minor | 1 | 6A | 106 BPM | ||
| Fair Weather | Jeremy Pelt | B♭ Minor | 4 | 3A | 110 BPM | ||
| Audrey and Jack | Mabon Clarke Quartet | G Major | 2 | 9B | 119 BPM | ||
| Beyond Belief | Astoria Three | C Minor | 0 | 5A | 121 BPM | ||
| Cherry Blossom Waltz | James & LIsa | F Major | 1 | 7B | 59 BPM | ||
| Everything and Nothing | Mabon Clarke Quartet | B♭ Minor | 0 | 3A | 123 BPM | ||
| Last Decade | Benjamin Lackner, Mathias Eick, Jérôme Regard, Manu Katché | C Minor | 1 | 5A | 118 BPM | ||
| Night Shadow | The Groove Trio | B Major | 2 | 1B | 107 BPM | ||
| Over Yonder | Gus Anderson | D Minor | 2 | 7A | 163 BPM | ||
| Vine Street | Soft Brush Touches | G Major | 2 | 9B | 112 BPM | ||
| Wondering | Isaiah Lewis | F Minor | 3 | 4A | 136 BPM | ||
| Mystique No. 12 | Örjan Hultén Orion, Örjan Hultén, Torbjörn Gulz, Filip Augustson, Peter Danemo | F♯ Major | 3 | 2B | 134 BPM | ||
| Let Love Be Genuine | Nuvole | G Major | 1 | 9B | 74 BPM | ||
| I Love You, Yes I Do | Lafayette Harris, Jr. | G Minor | 1 | 6A | 64 BPM | ||
| One More Day | Arta Porting | E♭ Major | 1 | 5B | 103 BPM | ||
| Elegy | Billy Buss Quartet | E Minor | 2 | 9A | 124 BPM | ||
| Secondo | Michel Bisceglia, Marc Lehan, Werner Lauscher | A Minor | 1 | 8A | 97 BPM | ||
| What Could've Been | Matt Marantz Quartet | D Major | 2 | 10B | 110 BPM | ||
| Turn Out the Stars | Tyrone Coates & Friends | G Major | 1 | 9B | 96 BPM | ||
| Blue Notes in the Afternoon | Red Brick Lane | F Minor | 2 | 4A | 81 BPM | ||
| Lost in Your Eyes | Gillian Spencer Trio | E Major | 2 | 12B | 99 BPM | ||
| Old Folks | The Modern Jazz Trio, Rick Margitza | D♭ Major | 4 | 3B | 83 BPM | ||
| Fools Rush In | Ola W Jansson, W JAZZ TRIO | E♭ Major | 2 | 5B | 112 BPM | ||
| The Shadow of Your Smile | Rob Van Bavel | F♯ Major | 2 | 2B | 112 BPM | ||
| Easy Steps | Sean Murphy | A Minor | 1 | 8A | 106 BPM |