On 1992, the song "Skeleton Jangle" was released by Randy Sandke's New Yorkers. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Stampede". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Skeleton Jangle is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Skeleton Jangle by Randy Sandke's New Yorkers having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alabama Jubilee | Two Banjo's Jazzband | E♭ Major | 4 | 5B | 126 BPM | ||
| Clarinet Marmalade | Original Dixieland Jazz Band | F Major | 7 | 7B | 123 BPM | ||
| What Can I Say After I Say I'm Sorry? | Benny Goodman | B♭ Major | 2 | 6B | 137 BPM | ||
| Strut Miss Lizzie | Johnny Maddox | B♭ Major | 6 | 6B | 99 BPM | ||
| That's When I'll Come Back to You | Bridgetown Sextet | F Major | 3 | 7B | 124 BPM | ||
| Long Tall Mama | The Solomon Douglas Swingtet | D♭ Major | 4 | 3B | 203 BPM | ||
| Otchi Tchornya | Gunhild Carling | A Minor | 3 | 8A | 114 BPM | ||
| We Know | Andy Amelia | F Major | 4 | 7B | 153 BPM | ||
| Clarinete Marmelade | Black Bottom Stompers | F Major | 4 | 7B | 131 BPM | ||
| You're Lucky to Me | Tim Laughlin | F Major | 4 | 7B | 175 BPM | ||
| Come on Coot & Do That Thing | Chris Barber's Jazz & Blues Band | F Major | 3 | 7B | 112 BPM | ||
| Harlem Air Shaft | Duke Ellington | F Minor | 4 | 4A | 171 BPM | ||
| Rose Night - From Borsalino & Co | Claude Bolling | A♭ Major | 4 | 4B | 173 BPM | ||
| Little Brown Jug | Glenn Miller Orchestra | D♭ Major | 5 | 3B | 170 BPM | ||
| You're the Top | Pasadena Roof Orchestra | G Minor | 4 | 6A | 94 BPM | ||
| Jazz Holiday | Original Perdido Jazz Band | E♭ Major | 3 | 5B | 123 BPM | ||
| The Pink Room | Giorgio Cuscito | D♭ Major | 4 | 3B | 175 BPM | ||
| Tia Juana | Randy Sandke's New Yorkers | G Minor | 4 | 6A | 97 BPM | ||
| Ain't It Grand? | Glenn Crytzer, Dandy Wellington | F Major | 4 | 7B | 94 BPM | ||
| Russian Lullaby | Dirty Rotten Vipers | D Minor | 6 | 7A | 109 BPM | ||
| Abduł Bey | Jazz Band Młynarski-Masecki | C Minor | 4 | 5A | 125 BPM | ||
| Hiawatha Rag | Piccadilly Six | A♭ Major | 6 | 4B | 111 BPM | ||
| The Mermaid | Gaucho, Leon Oakley | C Major | 2 | 8B | 95 BPM | ||
| Satin Doll - Instrumental | Count Basie Orchestra | F Minor | 2 | 4A | 107 BPM | ||
| Mr. Rhythm | Glenn Crytzer, Meschiya Lake | G Major | 4 | 9B | 183 BPM |