"Traditional: Were You There" by Burleigh, Paul Robeson had its release date on July 18, 2008. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Traditional: Were You There's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 170 in the song's album "Paul Robeson: The Complete EMI Sessions 1928-1939". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Traditional: Were You There is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traditional: Were You There by Burleigh, Paul Robeson having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Macushla | John McCormack | E♭ Major | 2 | 5B | 131 BPM | ||
| You Can Have My Man If He Comes To See You Too | Alberta Hunter | A Minor | 2 | 8A | 83 BPM | ||
| Frustration (1946) | Valaida Snow | A Minor | 2 | 8A | 74 BPM | ||
| Ol' Man River | Century Jukebox, Paul Robeson, Public Domain | B♭ Major | 0 | 6B | 75 BPM | ||
| She's Never Been Seen Since Then | Jack Cottrell, George Formby | A Major | 4 | 11B | 132 BPM | ||
| Die Liebe Kommt, Die Liebe Geht | Comedian Harmonists | B♭ Minor | 0 | 3A | 85 BPM | ||
| Nobody Knows The Trouble I've Seen | Paul Robeson | C Major | 2 | 8B | 138 BPM | ||
| It Is No Secret (What God Can Do) | Anita Bryant | E♭ Major | 1 | 5B | 113 BPM | ||
| How to Hold On | Melanie DeMore, VocalEssence Ensemble Singers, VocalEssence | C Minor | 0 | 5A | 133 BPM | ||
| Count Your Blessings | Josef Locke | E♭ Major | 2 | 5B | 87 BPM | ||
| Stolz: Wild Violets, Act 2: "Wine in Our Glasses" (Paul, Chorus) | Robert Stolz, Michael Collins, Kevin Scott, Rita Williams Singers, Michael Collins Orchestra | A Major | 0 | 11B | 115 BPM | ||
| Sleep - Remastered 1988 | Fred Waring & The Pennsylvanians | A Major | 1 | 11B | 144 BPM | ||
| Every Time I Feel the Spirit | Paul Robeson, Alan Booth | A♭ Major | 1 | 4B | 89 BPM | ||
| Good Morning | Joe Loss And His Band | B♭ Major | 1 | 6B | 188 BPM | ||
| Gassed Last Night / There's A Long Long Trail | Cast of Oh What A Lovely War, John Yap, Sophie Marchant | D Major | 3 | 10B | 126 BPM | ||
| Full Moon And Empty Arms | Jim Nabors | D Major | 4 | 10B | 94 BPM | ||
| We'll Gather Lilacs | Harry Secombe, Moira Anderson | F♯ Major | 3 | 2B | 104 BPM | ||
| Terá Que Renascer | Fortunato Sax | B♭ Major | 2 | 6B | 71 BPM | ||
| Rest of Eternity | WizVieve II | B Major | 3 | 1B | 94 BPM | ||
| The Donkey Serenade | Allan Jones | C Minor | 2 | 5A | 89 BPM | ||
| Mary's A Grand Old Name | James Cagney & Sally Sweetland | E♭ Major | 1 | 5B | 76 BPM | ||
| Vilia from "The Merry Widow" | Franz Lehár, Anna Moffo, RCA Victor Orchestra, Skitch Henderson | C Major | 2 | 8B | 96 BPM | ||
| Bonjour mon cœur - Live at the Llangollen International Musical Eisteddfod, 1955 | Orlande de Lassus, Corale Gioachino Rossini, Livio Borri | E♭ Minor | 1 | 2A | 70 BPM | ||
| Passing Show: Goodbye Broadway, Hello France | American Quartet | A Minor | 3 | 8A | 79 BPM | ||
| Blue Skies | The Knickerbockers | A♭ Major | 2 | 4B | 109 BPM |