On January 1, 1973, the song "Whatever Happened To Randolph Scott?" was released by The Statler Brothers. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 11 in Carry Me Back by The Statler Brothers. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Whatever Happened To Randolph Scott? is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Whatever Happened To Randolph Scott? by The Statler Brothers is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thank God For the Radio | The Kendalls | D Major | 5 | 10B | 128 BPM | ||
| Let's Go All the Way | Norma Jean | A Major | 3 | 11B | 142 BPM | ||
| Love In The Hot Afternoon | Gene Watson | C Major | 4 | 8B | 140 BPM | ||
| Don't Squeeze My Sharmon | Charlie Walker | F Major | 5 | 7B | 180 BPM | ||
| All The Gold In California | Larry Gatlin & The Gatlin Brothers | G Major | 5 | 9B | 106 BPM | ||
| Pfft! You Were Gone | Archie Campbell | B Major | 5 | 1B | 90 BPM | ||
| The Mississippi Squirrel Revival | Ray Stevens | C Major | 5 | 8B | 108 BPM | ||
| The Long Black Veil | Lefty Frizzell | E Major | 1 | 12B | 128 BPM | ||
| If I Had To Do It All Over Again | Roy Clark | G Major | 6 | 9B | 102 BPM | ||
| Don't Go Near the Indians | Rex Allen, Jr. | D Major | 4 | 10B | 140 BPM | ||
| Give Me Forty Acres | Willis Brothers | F Major | 6 | 7B | 121 BPM | ||
| Cowboys Don't Get Lucky All The Time | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| I Got Spurs That Jingle, Jangle, Jingle | David John and The Comstock Cowboys | D Major | 5 | 10B | 207 BPM | ||
| (How Much Is)That Hound Dog In the Window | Homer & Jethro | D Major | 5 | 10B | 78 BPM | ||
| Hooked On Music | Mac Davis | E Major | 6 | 12B | 98 BPM | ||
| How Could I Love Her So Much | Johnny Rodriguez | D Major | 3 | 10B | 104 BPM | ||
| The Lawman | Billy Walker | E Major | 3 | 12B | 132 BPM | ||
| Yes Mr. Peters | Roy Drusky, Priscilla Mitchell | A Major | 3 | 11B | 105 BPM | ||
| Looking At The World Through A Windshield | Del Reeves | A Major | 6 | 11B | 112 BPM | ||
| Still | Bill Anderson | A♭ Major | 1 | 4B | 95 BPM | ||
| Candy Kisses | George Morgan | C Major | 4 | 8B | 130 BPM | ||
| Hello Mexico (And Adios Baby to You) | Johnny Duncan | B Minor | 5 | 10A | 119 BPM | ||
| It Wasn't God Who Made Honky Tonk Angels | Kitty Wells | A Major | 2 | 11B | 137 BPM | ||
| Gonne Find Me a Bluebird | Marvin Rainwater | B♭ Major | 2 | 6B | 118 BPM | ||
| Once a Day | Connie Smith | F♯ Major | 4 | 2B | 137 BPM |