Bad Wolves's 'Back In The Days' had a release date set for October 25, 2019. Back In The Days is explicit and may not be suitable for children. With the duration being about 3:43, this song is close to the average duration of a typical track. There are a total of 12 in the song's album "N.A.T.I.O.N.". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Back In The Days's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Back In The Days by Bad Wolves having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Up In Smoke | Bad Wolves | D♭ Major | 7 | 3B | 118 BPM | ||
| Lost and Reckless | Sakoya | A♭ Minor | 7 | 1A | 144 BPM | ||
| Cross Off | Mark Morton, Chester Bennington | D♭ Minor | 9 | 12A | 83 BPM | ||
| I Hope You Rot | Parkway Drive | E Minor | 10 | 9A | 140 BPM | ||
| Betrayal Of The Mind | The Raven Age | B♭ Minor | 10 | 3A | 112 BPM | ||
| Get Out | Prospect Hill | F Minor | 7 | 4A | 174 BPM | ||
| Cutting It Close | Rain City Drive | E Minor | 9 | 9A | 112 BPM | ||
| Endless Night | Trivium | E Major | 9 | 12B | 158 BPM | ||
| Stars | Sixx:A.M. | G Major | 10 | 9B | 157 BPM | ||
| I Just Don't Love You Anymore | Wake Up Hate | D♭ Major | 9 | 3B | 86 BPM | ||
| MANIFEST | STARSET | G Minor | 9 | 6A | 148 BPM | ||
| Massive | VRSTY | C Major | 9 | 8B | 175 BPM | ||
| No More | Disturbed | G Major | 10 | 9B | 101 BPM | ||
| Tired | Stone Sour | E♭ Minor | 9 | 2A | 202 BPM | ||
| Paranoid | Royal Bliss | G Major | 9 | 9B | 84 BPM | ||
| The Core | Memory of a Melody | E♭ Minor | 9 | 2A | 137 BPM | ||
| God Bless The Renegades | Clint Lowery | F♯ Major | 10 | 2B | 160 BPM | ||
| Nightmare | The Veer Union | F Minor | 9 | 4A | 146 BPM | ||
| Follow You | Any Given Sin | A Minor | 10 | 8A | 90 BPM | ||
| Prey | Line So Thin | B♭ Minor | 9 | 3A | 165 BPM | ||
| Us | Parabelle | C Minor | 7 | 5A | 176 BPM | ||
| Holy Water | The Funeral Portrait | D Minor | 9 | 7A | 90 BPM | ||
| Officer Down | Bad Wolves | F Minor | 10 | 4A | 160 BPM | ||
| The Conversation | Bad Wolves | C Major | 10 | 8B | 105 BPM | ||
| Don't Stop | NOTHING MORE, Jacoby Shaddix | A Minor | 9 | 8A | 110 BPM |