Ouverture à 5 in F Major, TWV 44:6: VI. Gigue by Georg Philipp Telemann, David Shephard, Julie Haskell Song Details

Georg Philipp Telemann, David Shephard, Julie Haskell's ' "Ouverture à 5 in F Major, TWV 44:6: VI. Gigue" was released on its scheduled release date, November 15, 2001. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 8 in AMEB Clarinet Series 2 Second Grade by David Shephard, Julie Haskell. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Ouverture à 5 in F Major, TWV 44:6: VI. Gigue is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

The tempo marking of Ouverture à 5 in F Major, TWV 44:6: VI. Gigue by Georg Philipp Telemann, David Shephard, Julie Haskell is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.817 dB
Acousticness: 100%
Danceability: 78%
Energy: 9%
Instrumentalness: 92%
Liveness: 12%
Loudness: 64%
Speechiness: 8%
Valence: 56%

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