Akira Ifukube's 'Godzilla To Tokyo Bay' had a release date set for January 29, 2021. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Akira Ifukube's "Godzilla Original Soundtrack" album is number 16 out of 23. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Godzilla To Tokyo Bay is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Godzilla To Tokyo Bay by Akira Ifukube to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To the Little Watermill | Fumio Hayasaka | D♭ Major | 1 | 3B | 75 BPM | ||
| Komoda Beach | Ilan Eshkeri | A♭ Major | 2 | 4B | 84 BPM | ||
| Godzilla-1.0 Honor | Naoki Sato | E Minor | 1 | 9A | 65 BPM | ||
| Highway to the Anger Zone | Michael Giacchino | G Minor | 1 | 6A | 62 BPM | ||
| Return Of Godzilla / [King Kong Vs Godzilla] | Akira Ifukube | F Major | 4 | 7B | 74 BPM | ||
| Theme from Predator | John Debney | F Minor | 6 | 4A | 104 BPM | ||
| Anti Earth Union Group | Shigeaki Saegusa | C Major | 3 | 8B | 108 BPM | ||
| Kessen Kasanariau Unmei | 松尾早人 | G Major | 6 | 9B | 124 BPM | ||
| L no Theme | Hideki Taniuchi | D Major | 8 | 10B | 135 BPM | ||
| Robo & ED 209 Fight | Basil Poledouris | F♯ Major | 3 | 2B | 91 BPM | ||
| Godzilla Final Wars Titles | Keith Emerson | E♭ Major | 4 | 5B | 105 BPM | ||
| A New Era (Mortal Kombat 1 Main Theme) | Wilbert Roget, II | F Minor | 9 | 4A | 100 BPM | ||
| The Assembly Line | Jerry Goldsmith | F Major | 4 | 7B | 125 BPM | ||
| 魔女の呼び声 | Kenichiro Suehiro | A♭ Major | 5 | 4B | 116 BPM | ||
| MechaGodzilla’s Revenge-Titles (From "Terror of Mechagodzilla") | Akira Ifukube, Various Artists | C Major | 3 | 8B | 115 BPM | ||
| Destroy All Monsters: Destroy All Monsters March - From "Destroy All Monsters" | Ifukube | F Major | 5 | 7B | 121 BPM | ||
| Entering The Nest | Alexandre Desplat | G Major | 3 | 9B | 117 BPM | ||
| Batman Forever: Main Title - From "Batman Forever" | Elliot Goldenthal, Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | B♭ Major | 4 | 6B | 79 BPM | ||
| 限界突破×サバイバー - インストゥルメンタル B Type | ドラゴンボール超BGM | G Major | 5 | 9B | 146 BPM | ||
| Fog Over Fenway | Bear McCreary | A Major | 3 | 11B | 142 BPM | ||
| Omni-Man | John Paesano | A Major | 4 | 11B | 76 BPM | ||
| The End Begins | Gerard Marino | E Minor | 6 | 9A | 100 BPM | ||
| Legend of Bionicle | Nathan Furst | D♭ Major | 3 | 3B | 73 BPM | ||
| Godzilla & Jet Jaguar Punch-Punch-Punch | Masato Shimon | F Minor | 3 | 4A | 121 BPM | ||
| 鬼龍G@キLL | Sawano Hiroyuki | A Minor | 6 | 8A | 106 BPM |