Tripti Shakya, Nitesh Raman's ' "Tikwa Kahe Na Lawle Re" was released on its scheduled release date, April 9, 2020. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Pardeshi Babu (Maithil)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. In terms of popularity, Tikwa Kahe Na Lawle Re is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tikwa Kahe Na Lawle Re by Tripti Shakya, Nitesh Raman having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sanware Ki Mehfil Ko Sanwara Sajata Hai | Bhakti Bhajan Sangrah | A♭ Major | 7 | 4B | 88 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Ramdoot Baldham Ki Pawanputra Birvaan Ki | Babla Mehta | F Major | 6 | 7B | 90 BPM | ||
| Mera Apki Kripa Se | Chetna | F♯ Major | 6 | 2B | 100 BPM | ||
| Aisi Laagi Lagan Meera Ho Gayi Magan | Javed Ali | C Minor | 6 | 5A | 142 BPM | ||
| Holi Fagan Mein Khelein Shyam Bihari | Tripti Shakya | D♭ Major | 9 | 3B | 76 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Suno Suno Ek Kahani Suno | Vipin Sachdeva | B Minor | 5 | 10A | 147 BPM | ||
| Yashomati Maiya Se Bole Nandlala | Debanjali B Joshi, Bhrigu Parashar | D Major | 6 | 10B | 91 BPM | ||
| Karpur Gauram Karuna Avataram Sansar Saaram Bhujagendra Haaram Shiva Shloka | Vishal Khera | E♭ Major | 4 | 5B | 122 BPM | ||
| Laagi Tum Sang Yaari Mere Banke Bihari | Acharya Mridul Krishna Goswami | G Major | 8 | 9B | 112 BPM | ||
| Bhole Hath Sab Tere | A-Jay M | F♯ Major | 8 | 2B | 116 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM | ||
| Maiya Tere Darbar Ye Diwane Aaye Hai | Shahnaz Akhtar | B♭ Minor | 8 | 3A | 102 BPM | ||
| Sita Ram Sita Ram Kahiye | Devendra Pathak | A♭ Major | 8 | 4B | 130 BPM | ||
| Daasi Hu Teri Shyama | Sadhvi Purnima Ji | D Major | 7 | 10B | 103 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Bhagwat Suthar | A♭ Minor | 5 | 1A | 95 BPM | ||
| Gobind Mero Hai | Mridul Krishan Shastri | F♯ Major | 6 | 2B | 74 BPM | ||
| Tere Liye Jeete Hain | Shahid Mallya, Tripti Shakya, KR Wahi | F♯ Minor | 8 | 11A | 79 BPM | ||
| Jai radhe krishna govind | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Parvati Chalisa | Tripti Shakya | E Major | 8 | 12B | 89 BPM | ||
| Chalo Re Shri Vrindavan Dham | K. S. Chithra, Vichitra | F♯ Major | 2 | 2B | 129 BPM | ||
| Hey Gopal Krishna karun Aarti teri | Devoleena Bhattacharjee | D♭ Major | 6 | 3B | 140 BPM |