"Endgame" by John Zorn had its release date on September 15, 2023. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "NOTHING IS AS REAL AS NOTHING". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Endgame's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Endgame by John Zorn having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Hanging | The Lounge Lizards | C Major | 3 | 8B | 178 BPM | ||
| 2 Thoughts About the Piano, No. 2. Caténaires: 2 Thoughts About the Piano: No. 2, Caténaires | Elliott Carter, Ursula Oppens | B Minor | 2 | 10A | 108 BPM | ||
| 8 Fish Eyes | The Chitinous Ensemble | F Major | 3 | 7B | 137 BPM | ||
| Untitled - Part 19 | Jim Staley, Fred Frith, John Zorn | F Major | 4 | 7B | 130 BPM | ||
| No Pain for Cakes | The Lounge Lizards | G Minor | 2 | 6A | 128 BPM | ||
| Tone IQ | Matthew Shipp | G Major | 2 | 9B | 96 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| VI | Evan Shornstein, Will Epstein | D Major | 3 | 10B | 135 BPM | ||
| Lebroba | Andrew Cyrille, Wadada Leo Smith, Bill Frisell | F♯ Major | 0 | 2B | 120 BPM | ||
| Guitars Out of Control | Marina Frescobaldi | E♭ Major | 3 | 5B | 33 BPM | ||
| Nagoya Marimba | Steve Reich, Bob Becker, James Preiss | B Minor | 8 | 10A | 143 BPM | ||
| Plan & Elevation: I. The Ellipse | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 73 BPM | ||
| Bateau | Marc Ribot | D♭ Major | 2 | 3B | 103 BPM | ||
| birds of paradise | Jaimie Branch | A♭ Major | 3 | 4B | 136 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Azariel | Garth Knox, John Zorn, Kimya Ensemble, Alice Picaud, Amir Amiri, Olivier Marin, Roméo Monteiro | D Major | 2 | 10B | 61 BPM | ||
| Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| Outrage At Valdez | Frank Zappa | B♭ Minor | 4 | 3A | 93 BPM | ||
| The Heaven Ladder, Book 7: No. 5, Simone's Lullaby (Arr. for Piano 4 Hands) | Terry Riley, ZOFO Duet | B Minor | 0 | 10A | 94 BPM | ||
| Gagaku - Remastered | Naná Vasconcelos, Mara, Denis Hébert, Maurice Bouchard, Pierre Tanguay | E♭ Minor | 0 | 2A | 92 BPM | ||
| Urban Poem - Prélude | Guillaume Latil, Matheus Donato | E Minor | 3 | 9A | 140 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Second Etude | Michael Rosas Cobian, Gabriela Ortiz | A Major | 2 | 11B | 67 BPM |