Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato)
Edward Elgar, London Symphony Orchestra, Eugen Jochum
Elgar: Variations On An Original Theme, Op. 36 "Enigma" / Brahms: Variations On A Theme By Haydn, Op.56a
1:52 January 1, 1975
BPM
79
Key
C Minor
Camelot
5A

Embed

Share Link

Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato) by Edward Elgar, London Symphony Orchestra, Eugen Jochum Song Details

Edward Elgar, London Symphony Orchestra, Eugen Jochum's 'Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato)' had a release date set for January 1, 1975. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 25 in Elgar: Variations On An Original Theme, Op. 36 "Enigma" / Brahms: Variations On A Theme By Haydn, Op.56a by London Symphony Orchestra, Eugen Jochum. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato) by Edward Elgar, London Symphony Orchestra, Eugen Jochum is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-28.075 dB
Acousticness
97%
Danceability
17%
Energy
4%
Instrumentalness
91%
Liveness
10%
Loudness
53%
Speechiness
4%
Valence
31%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Sonata in G Minor, Op. 65: III. Largo by Frédéric Chopin, Emmanuelle Bertrand, Pascal AmoyelCello Sonata in G Minor, Op. 65: III. LargoFrédéric Chopin, Emmanuelle Bertrand, Pascal AmoyelB♭ Major06B89 BPM
Die Fledermaus: Overture by Johann Strauss II, Bavarian State Orchestra, Carlos KleiberDie Fledermaus: OvertureJohann Strauss II, Bavarian State Orchestra, Carlos KleiberD Major210B109 BPM
L'Arlésienne Suite No.1: Adagietto by Georges Bizet, Berliner Philharmoniker, Herbert von KarajanL'Arlésienne Suite No.1: AdagiettoGeorges Bizet, Berliner Philharmoniker, Herbert von KarajanF Major07B112 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) by Richard Strauss, Angela HewittMorgen, Op. 27 No. 4 (Arr. Reger for Piano)Richard Strauss, Angela HewittA Major211B143 BPM
Thaïs: Méditation by Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo GuerreroThaïs: MéditationJules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo GuerreroD Major010B84 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) by Franz Liszt, Nora von Marschall3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall)Franz Liszt, Nora von MarschallB♭ Major06B85 BPM
The Tempest: Suite No. 2, Op. 109: VI. Miranda by Jean Sibelius, Iceland Symphony Orchestra, Petri SakariThe Tempest: Suite No. 2, Op. 109: VI. MirandaJean Sibelius, Iceland Symphony Orchestra, Petri SakariC Major18B70 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanFive Pieces For Two Violins and Piano: I. PreludeDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanG Major09B85 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Conclusion) by Gustav Mahler, Sir John Barbirolli, John Barbirolli, New Philharmonia OrchestraMahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Conclusion)Gustav Mahler, Sir John Barbirolli, John Barbirolli, New Philharmonia OrchestraA Minor18A77 BPM
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante by Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber OrchestraMozart: Piano Concerto No. 21 in C Major, K. 467: II. AndanteWolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber OrchestraF Major07B183 BPM
Capriol Suite: 2. Pavane by Peter Warlock, Academy of St. Martin in the Fields, Sir Neville MarrinerCapriol Suite: 2. PavanePeter Warlock, Academy of St. Martin in the Fields, Sir Neville MarrinerB♭ Major06B160 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville MarrinerViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville MarrinerE♭ Major15B85 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live by Gustav Mahler, Berliner Philharmoniker, Claudio AbbadoSymphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - LiveGustav Mahler, Berliner Philharmoniker, Claudio AbbadoG Minor06A56 BPM
Elgar: Salut d'amour, Op. 12 by Edward Elgar, Min Kym, Gordon BackElgar: Salut d'amour, Op. 12Edward Elgar, Min Kym, Gordon BackE Major112B86 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico by Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraViolin Concerto No. 1 in G Minor, Op. 26: III. Allegro energicoMax Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraG Major39B97 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinB♭ Major06B82 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato by Sergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerPiano Concerto No. 2 in C Minor, Op. 18: I. ModeratoSergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerC Minor15A71 BPM
I. Prélude. Andantino by César Franck, Jean-Pierre ArmengaudI. Prélude. AndantinoCésar Franck, Jean-Pierre ArmengaudD Major010B66 BPM
Kinderszenen, Op. 15: VII. Träumerei by Robert Schumann, Alfred BrendelKinderszenen, Op. 15: VII. TräumereiRobert Schumann, Alfred BrendelF Major07B135 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraCello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppoCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraF Major27B131 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinZdes' khorosho ('How Fair This Spot'), Op. 21, No. 7Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinA Major011B87 BPM
ISRC
DEF057501936
Label
L-M Records/RCA Records