Milt Jackson, Joe Pass, Ray Brown's ' "Blue Bossa" was released on its scheduled release date, January 1, 1976. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "The Big 3". In this album, this song's track order is #3. In terms of popularity, Blue Bossa is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Blue Bossa by Milt Jackson, Joe Pass, Ray Brown having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonlight In Vermont | Jimmy Bruno | C Major | 1 | 8B | 97 BPM | ||
| Softly, As In A Morning Sunrise - Live | Jim Hall, Ron Carter | C Minor | 1 | 5A | 105 BPM | ||
| Daahound | Emily Remler | F♯ Major | 3 | 2B | 118 BPM | ||
| Scrapple From The Apple - Line In Toronto/1975 | Jim Hall | F Major | 3 | 7B | 117 BPM | ||
| I Didn't Know What Time It Was | Bobby Timmons Trio | D Minor | 1 | 7A | 170 BPM | ||
| Work Song - Remastered | The Cannonball Adderley Quintet | D♭ Major | 3 | 3B | 170 BPM | ||
| Take The "A" Train | Billy Strayhorn | C Major | 1 | 8B | 91 BPM | ||
| Blue Monk | McCoy Tyner | F Major | 2 | 7B | 120 BPM | ||
| Beauty and the Beast | Wayne Shorter | G Minor | 6 | 6A | 140 BPM | ||
| What Is This Thing Called Love | Hampton Hawes Trio | C Minor | 3 | 5A | 113 BPM | ||
| Simone | Frank Foster | D Minor | 6 | 7A | 76 BPM | ||
| Come Rain Or Come Shine | Bobby Timmons | D Major | 2 | 10B | 134 BPM | ||
| A Foggy Day | Red Garland Trio | C Major | 3 | 8B | 107 BPM | ||
| Very Early | Stan Getz Quartet | G Major | 3 | 9B | 102 BPM | ||
| ワーク | Chick Corea Trio | F♯ Major | 4 | 2B | 89 BPM | ||
| Summertime / It Ain't Necessarily So (Medley) | Ted Greene | B Minor | 1 | 10A | 158 BPM | ||
| Soul Time | Bobby Timmons | F Major | 3 | 7B | 203 BPM | ||
| Have You Met Miss Jones? | Jimmy Bruno | F Major | 1 | 7B | 97 BPM | ||
| I Cover the Waterfront | Joe Roland | D♭ Major | 4 | 3B | 74 BPM | ||
| Metamorphosis | Peter Bernstein Trio | F♯ Major | 4 | 2B | 95 BPM | ||
| Adam's Apple - Remastered | Wayne Shorter | E♭ Minor | 5 | 2A | 85 BPM | ||
| Tal's Blues | Tal Farlow | C Minor | 2 | 5A | 137 BPM | ||
| Since I Fell For You - Remastered | Stanley Turrentine & The Three Sounds | G Minor | 1 | 6A | 148 BPM | ||
| The Kicker | Joe Henderson Sextet | F Minor | 5 | 4A | 93 BPM | ||
| Effendi | McCoy Tyner Trio | A Minor | 4 | 8A | 69 BPM |