On October 12, 2001, the song "Joban Dhan Pavna Din Char" was released by Prakash Mali. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Prakash Mali's "Kaya Ro Hindolo Rachiyo" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Joban Dhan Pavna Din Char is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Joban Dhan Pavna Din Char by Prakash Mali to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dholagad Dholki Vage Maharaj | Asha Vaishnav | D Major | 8 | 10B | 130 BPM | ||
| Thane To Dhyave Aakho Marwar O | Prakash Mali, Mahendra Singh, Daksha Prajapati | A Minor | 9 | 8A | 102 BPM | ||
| Arji Sun Aavjyo | Ramavtar Marwadi | B♭ Major | 8 | 6B | 90 BPM | ||
| Meera KO Mando Moyo Re | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 9 | 4B | 104 BPM | ||
| Hara Hun Baba | Kanhaiya Mittal | C Minor | 7 | 5A | 95 BPM | ||
| Mai Ki Seva Dil Se Kar | Avinash Jhankar | D♭ Major | 7 | 3B | 159 BPM | ||
| Geharee Geharee Birakha | Prakash Mali | A♭ Major | 7 | 4B | 90 BPM | ||
| Pee Ke Mar Jaeeb Mahua Ke Paani | Radhe Shyam Rasiya | A♭ Minor | 6 | 1A | 153 BPM | ||
| Bai Nanand Ra Veer | Shyam Paliwal | C Major | 8 | 8B | 85 BPM | ||
| Bhole Ko Kaise Main Manauon Re | Pt. Ram Avtar Sharma, Rajnish Sharma, Sangeeta Pant | F♯ Major | 9 | 2B | 152 BPM | ||
| Mere Ram Ayodhya Aa Rahe | Shahnaaz Akhtar | E Major | 5 | 12B | 100 BPM | ||
| Uchieya Machaila Walie Maa | Naveen Punjabi | D♭ Major | 8 | 3B | 102 BPM | ||
| Mahadev Ke Nachari | Kunj Bihari Mishr | F♯ Major | 9 | 2B | 136 BPM | ||
| More Mann Chal Vrindavan Dham | Rajendra Vyas | D Major | 7 | 10B | 101 BPM | ||
| Yun Na Nikla Karo | Mohd. Niyaz | D Minor | 7 | 7A | 142 BPM | ||
| O Meera Bhabhi Ji | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Jagannath Chaka Nain | Rajesh Chandra | C Major | 9 | 8B | 120 BPM | ||
| Mera Baba Kaate Rog | Narender Kaushik | B♭ Major | 8 | 6B | 131 BPM | ||
| Ghurlo Ghumelo Ji Ghumelo | Supriya | A♭ Major | 6 | 4B | 154 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Trishula Maa Tara Laal Kate | Vaibhav Bagmar Balotra | F Minor | 7 | 4A | 110 BPM | ||
| Shree Krishna Chalisa | Kumar Vishu | F♯ Minor | 8 | 11A | 90 BPM | ||
| Oodh Chunar Main To Gai Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM |