On February 21, 2017, the song "Chocolate" was released by Roly Maden. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roly Maden's "Mirala" album is number 3 out of 3. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Chocolate is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chocolate by Roly Maden to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fresquecito.Com | Elio Revé Y Su Charangón | E Minor | 8 | 9A | 106 BPM | ||
| La Rumba No Tiene Raza | SOUNDS OF CUBA, EMILIO FRIAS | C Major | 8 | 8B | 113 BPM | ||
| Una aventura loca | Manolín, El Médico De La Salsa | D Major | 6 | 10B | 87 BPM | ||
| La Chica de 20 | Dairo Todd, La Existencia | E Minor | 8 | 9A | 95 BPM | ||
| Somos Calle Real | Calle Real | G Major | 8 | 9B | 102 BPM | ||
| Un Bla Bla | El Timba, Manuel La Palma, Ronny Taveras | D♭ Major | 8 | 3B | 91 BPM | ||
| Le Va a Doler | Roly Maden | C Major | 7 | 8B | 168 BPM | ||
| Fiesta | Berna Jam, Chicharo, Padrino | F Major | 9 | 7B | 100 BPM | ||
| Un Pariente En El Campo | Adalberto Álvarez y su Son | F Major | 8 | 7B | 94 BPM | ||
| Los Buenos y los Malos | Adalberto Álvarez y su Son | D Major | 9 | 10B | 180 BPM | ||
| Changüí a los Orishas | Nic N'Taya | G Minor | 9 | 6A | 109 BPM | ||
| Todo Es Música | Mixael Cabrera | E Minor | 9 | 9A | 198 BPM | ||
| Hasta el ultimo callejon | Paulo FG | E Minor | 9 | 9A | 100 BPM | ||
| Por La Madruga | MARIANA Y LA MAKYNARIA, Emilio Frías El Niño | F♯ Major | 9 | 2B | 104 BPM | ||
| Tocame | Talento Havana, Moises Fernandez, B. Patric | D♭ Minor | 8 | 12A | 200 BPM | ||
| Bájate de las Nubes | Maykel Blanco y su Salsa Mayor | E Minor | 9 | 9A | 192 BPM | ||
| Kun Kin | La Maxima 79 | G Major | 7 | 9B | 96 BPM | ||
| Mi Timba | Pablo Timba | A Minor | 9 | 8A | 126 BPM | ||
| Llegó Papá | Pachito Alonso y sus Kini Kini | A Minor | 8 | 8A | 189 BPM | ||
| Bala Perdida | Victor Azael | F Major | 9 | 7B | 94 BPM | ||
| La Letra Conflictiva | Mola | F Minor | 9 | 4A | 95 BPM | ||
| Pomarrosa | Mario Crespo Martinez | C Major | 8 | 8B | 92 BPM | ||
| Kamasutra | Mario Crespo Martinez | G Major | 9 | 9B | 94 BPM | ||
| Caminando | La Excelencia | E Minor | 8 | 9A | 157 BPM | ||
| El Negro Vuelve A La Habana | Issac Delgado, El Micha | C Major | 9 | 8B | 104 BPM |