Johnny White's ' "Grass Stained" was released on its scheduled release date, October 10, 2025. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Grass Stained and no other songs are present in the album, we classify this track as a single. The popularity of Grass Stained is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Grass Stained by Johnny White to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giving In | Justin Schools, Averie Bielski | D♭ Major | 7 | 3B | 112 BPM | ||
| Whiskey & You | J-ROD | B♭ Major | 4 | 6B | 152 BPM | ||
| You Dont Have To Be | Independentmusicart | F♯ Major | 4 | 2B | 152 BPM | ||
| Last Call at the Neon Oasis | NICHE MIRO | G Major | 3 | 9B | 87 BPM | ||
| Jim, Jack, & Jesus | Ethan Carl | E Major | 6 | 12B | 147 BPM | ||
| With the Dawn | DJ Druskin | C Major | 6 | 8B | 98 BPM | ||
| Sober Come Over | Noah Rickertsen | E Minor | 6 | 9A | 124 BPM | ||
| I Hope London's Cool | Jeremy Elliot | D Major | 7 | 10B | 120 BPM | ||
| Park Bench Promise | Keith Morrison | C Major | 5 | 8B | 170 BPM | ||
| Summer Heat, Winter Ghosts | Chris Welsher | D Major | 4 | 10B | 88 BPM | ||
| Soak Up Summer | Marie Lester | F♯ Major | 6 | 2B | 158 BPM | ||
| Bad at This Part | Renata The Band | D Major | 8 | 10B | 160 BPM | ||
| While I Was Up There | Mitch Clark | C Major | 8 | 8B | 164 BPM | ||
| Coming Right Back | Steph Upper Lip | F Major | 8 | 7B | 144 BPM | ||
| Back In Santa Barbara | Nicbert | G Major | 3 | 9B | 136 BPM | ||
| The Road Home | Whiskey Circuit | E♭ Major | 3 | 5B | 147 BPM | ||
| Silent War | John "TIG" Tiegen | E♭ Major | 5 | 5B | 153 BPM | ||
| Where I Am Tonight | Justin Andrews | E Minor | 6 | 9A | 148 BPM | ||
| Cold Beer | Bruce Dylan | E Major | 6 | 12B | 150 BPM | ||
| Crossroads | Luke Prater | B♭ Major | 8 | 6B | 144 BPM | ||
| Every Outlaw | Cole Younger | E♭ Major | 6 | 5B | 166 BPM | ||
| I'm Getting Over You | The Mac Roger Project | B Major | 7 | 1B | 157 BPM | ||
| When the Words Won't Work | Jason Nix | E Major | 3 | 12B | 72 BPM | ||
| Sweet Seneca Raine | Alaband | F♯ Major | 3 | 2B | 79 BPM | ||
| Good Boy | Brian John Harwood | D♭ Major | 6 | 3B | 79 BPM |