Billy Taylor's ' "Night And Day" was released on its scheduled release date, January 1, 1955. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Night And Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Separate Keyboards". In this album, this song's track order is #9. In terms of popularity, Night And Day is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Night And Day by Billy Taylor having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Willow Weep for Me | Billy Taylor | B♭ Minor | 1 | 3A | 64 BPM | ||
| Serenata | Cannonball Adderley Quartet | D Minor | 3 | 7A | 168 BPM | ||
| A Foggy Day | Benny Carter, Oscar Peterson | C Major | 2 | 8B | 100 BPM | ||
| We'll Be Together Again | Sonny Criss | C Major | 2 | 8B | 67 BPM | ||
| Capricious | Billy Taylor | G Minor | 5 | 6A | 186 BPM | ||
| Rope-a-Dope | Bruce Forman, Jeff Hamilton, John Clayton | E Minor | 3 | 9A | 142 BPM | ||
| Alfie | Rahsaan Roland Kirk | C Major | 1 | 8B | 75 BPM | ||
| Liza | Bill Charlap | B♭ Minor | 3 | 3A | 89 BPM | ||
| Me And The Blues (Blues #1) | Ray Bryant | G Major | 2 | 9B | 128 BPM | ||
| K.K. Boogie | Ken Kersey, Henry "Red" Allen, Edmond Hall, J. C. Higginbotham, Billy Taylor, Jimmy Hoskins | B♭ Major | 4 | 6B | 128 BPM | ||
| How deep is the ocean | Duke Jordan | C Minor | 2 | 5A | 76 BPM | ||
| In A Sentimental Mood | Tommy Flanagan Trio | D Minor | 1 | 7A | 79 BPM | ||
| O Mito | Gabriel Latchin Trio | D♭ Major | 4 | 3B | 124 BPM | ||
| Nostalgia | Fats Navarro | G Major | 3 | 9B | 157 BPM | ||
| Feelin' Fine | Hampton Hawes Trio | G Minor | 3 | 6A | 129 BPM | ||
| Indiana (Back Home Again in Indiana) - 1990 Remaster | Bud Powell Trio | F Minor | 3 | 4A | 159 BPM | ||
| Jubilation | Junior Mance | C Major | 2 | 8B | 100 BPM | ||
| Bluesville | Kenny Drew | F Minor | 2 | 4A | 163 BPM | ||
| What Is This Thing Called Love? - Instrumental | Red Garland Trio | D Minor | 4 | 7A | 112 BPM | ||
| Tea For Two | Dan Nimmer Trio | C Major | 4 | 8B | 120 BPM | ||
| Lullaby Of Birdland | Jaki Byard | A♭ Major | 1 | 4B | 79 BPM | ||
| Caravan | Arkadia Jazz All-Stars, Billy Taylor | D Minor | 3 | 7A | 98 BPM | ||
| Love Life, Act I: Love Song | Kurt Weill, Kaye Ballard, Alan Jay Lerner, Allen Hanlon, Milt Hinton, Clyde Lombardi, Billy Taylor, Herb Harris, Percy Brice, Studio vocal ensemble | B♭ Major | 1 | 6B | 106 BPM | ||
| Cubano Chant | Ray Bryant Trio | B♭ Minor | 4 | 3A | 90 BPM | ||
| Daahoud | Ray Bryant Trio | A♭ Major | 3 | 4B | 105 BPM |