"Barre : Pliés in First and Third Position (Short) - Afternoon Rêverie" by Nolwenn Collet had its release date on May 16, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 42 in Beginners Ballet Premiere by Nolwenn Collet. Going off of the ISRC code of this track, we detected that the origin of this track is from Ireland. Barre : Pliés in First and Third Position (Short) - Afternoon Rêverie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barre : Pliés in First and Third Position (Short) - Afternoon Rêverie by Nolwenn Collet is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pas Relevé Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | E♭ Major | 1 | 5B | 89 BPM | ||
| Sautés 6/8: Invitaiton to the Waltz, Op. 65 | Margot Kazimirska | D♭ Major | 2 | 3B | 101 BPM | ||
| Battement Frappe / Enjoy Being a Girl | Matthew J Gregory | E♭ Major | 2 | 5B | 98 BPM | ||
| Plié C Minor (128) | Jack Lloyd O'Donnell, Wireless Lovebird | C Minor | 2 | 5A | 185 BPM | ||
| Battement Tendu Simple I | Mario Richter | A♭ Major | 1 | 4B | 119 BPM | ||
| Loan Unsolved | Mariana Ghiaccio | B Major | 1 | 1B | 137 BPM | ||
| Pirouettes - 3/4 | Venti Petrov, Ferdy Tumakaka | D Major | 2 | 10B | 151 BPM | ||
| Tears | Renan Napoli | B♭ Major | 2 | 6B | 128 BPM | ||
| Tendu (Coppelia) | David Howard, Mark Jelks | D Major | 2 | 10B | 75 BPM | ||
| Rond de jambe 1 3/4 | Jorge L. Martínez | B♭ Major | 1 | 6B | 98 BPM | ||
| Into the Forest | Ingrid Sophie | E Major | 0 | 12B | 99 BPM | ||
| Plié 3/4 | Fábio Oliveira | B Minor | 3 | 10A | 101 BPM | ||
| Fondu | Igor Zapravdin | E Major | 1 | 12B | 107 BPM | ||
| Hullu | Ingrid Sophie | B♭ Major | 0 | 6B | 69 BPM | ||
| Rond de jambe à terre-Port de bras | 정아름 | A♭ Major | 1 | 4B | 95 BPM | ||
| Pirouettes & Waltz 1(Long version) - Ballet "Paquita", Act 3 Coda | L. Minkus, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
| Battement tendu 4/4 | Iraida Minkus | A Major | 2 | 11B | 88 BPM | ||
| Fondu 4/4 64 Counts. | Marina Stolyar | A Major | 2 | 11B | 101 BPM | ||
| Battements tendus II (Y. S. Choi Op.1 No.1) | Youngsin Sarah Choi | C Major | 1 | 8B | 108 BPM | ||
| Grand allegro 1 6x8 | Jorge L. Martínez | A Minor | 1 | 8A | 100 BPM | ||
| Warm up 2/4 64 Counts | Marina Stolyar | B Minor | 2 | 10A | 112 BPM | ||
| Pas De Basque, Balance | Whitefeather Productions | E♭ Major | 1 | 5B | 113 BPM | ||
| Barre : Pliés in Second Position (Long) - Lullaby for Dolly | Nolwenn Collet | B♭ Major | 1 | 6B | 68 BPM | ||
| Pirouettes, ballet "La Esmeralda", Pas de deux, variation Esmeralda in D-Major, Act 1 | Cesare Pugni, Konstantin Mortensen | A Major | 1 | 11B | 114 BPM | ||
| Demi Allegro Ⅰ | SuYeon Park | E♭ Major | 2 | 5B | 94 BPM |