Cemal Reşit Rey, Burak Tüzün's 'Rey, Andante Allegro: II. Allegro' had a release date set for 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Turkish Composers - Volume 2". In this album, this song's track order is #5. Rey, Andante Allegro: II. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rey, Andante Allegro: II. Allegro by Cemal Reşit Rey, Burak Tüzün having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Entarisi Ala Benziyor | Selva Erdener | G Major | 2 | 9B | 117 BPM | ||
| Romanian Folk Dances, Sz 56: I. Joc cu bata - Allegro moderato | Béla Bartók, Andrew Rangell | G Major | 0 | 9B | 52 BPM | ||
| Scenes turques: No. 2, Bartın Havası | Cemal Reşit Rey, Hungarian State Orchestra, Cem Mansur | A♭ Major | 3 | 4B | 92 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Roman tanc (Romanian Dance), BB 61 | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | D♭ Major | 1 | 3B | 81 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM | ||
| Bint Al Chalabiyah | Marcel Khalife | F Minor | 5 | 4A | 86 BPM | ||
| Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) - 2017 Remastered Version | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
| Osmaniye Marşı | Emre Aracı | D Minor | 1 | 7A | 184 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
| 3 Folk Songs: No. 3, Horozumu kacirdilar | Nevit Kodalli, Sunat Korat, Remziye Alper-Tanrikulu, Budapest Symphony Orchestra, Hikmet Şimşek | D Minor | 2 | 7A | 81 BPM | ||
| Romanian Folk Dances, Sz 56: VI. Maruntel - Allegro | Béla Bartók, Andrew Rangell | A Minor | 1 | 8A | 142 BPM | ||
| Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
| Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
| Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
| Muhsin Bey | Erkin Arslan | A Minor | 1 | 8A | 168 BPM | ||
| Meadowland (Polyushko, pole) | Lev Knipper, Takako Nishizaki, Queensland Orchestra, Peter Breiner | B Major | 2 | 1B | 93 BPM | ||
| Fantasia On Serbian Themes, Op. 6 | Moscow Symphony Orchestra, Nikolai Rimsky-Korsakov | D Major | 0 | 10B | 69 BPM | ||
| Ayva Çiçek Açmış | Muammer Sun, İbrahim Yazıcı, Kültür ve Turizm Bakanlığı Devlet Çoksesli Korosu, Şule Köken, Tuncay Kurdoğlu | C Minor | 0 | 5A | 90 BPM | ||
| Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Yeni bir gülnihal, Op. 5e | Fazıl Say | C Major | 2 | 8B | 70 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | F♯ Minor | 2 | 11A | 70 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM |