"Variations on leitmotiv du "Panthée": Var. XVII. Fughetta. Più mosso" by Erik Satie, Alessandro Simonetto had its release date on October 7, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "Satie: Première pensée Rose + Croix, Chanson hongroise (Completed by A. Simonetto) & Variations on leitmotiv du "Panthée"". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Italy. Variations on leitmotiv du "Panthée": Var. XVII. Fughetta. Più mosso is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Variations on leitmotiv du "Panthée": Var. XVII. Fughetta. Più mosso by Erik Satie, Alessandro Simonetto having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
| Armellodie | Chilly Gonzales, Olga Scheps | D Major | 0 | 10B | 72 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
| Claire De Lune - Debussy | Michael Charles Clark | D♭ Major | 1 | 3B | 63 BPM | ||
| VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
| Für Elise, Bagatelle in A Minor, WoO 59 | Ludwig van Beethoven, Lang Lang | D Minor | 0 | 7A | 132 BPM | ||
| Pièces froides: II. Danses de travers | Erik Satie, Klara Kormendi | C Major | 0 | 8B | 139 BPM | ||
| Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM | ||
| Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
| Abodah (God's Worship) (Arr. Cello) | Ernest Bloch, Sheku Kanneh-Mason | B Minor | 0 | 10A | 134 BPM | ||
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
| Erik Satie: Gymnopédie No. 1 | Nokaru | C Major | 1 | 8B | 134 BPM | ||
| Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
| Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 69 BPM | ||
| Clara Schumann, Nocturne Op.6 No.2 | Angela Boutros | F♯ Major | 0 | 2B | 134 BPM | ||
| The Well-Tempered Clavier I, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Lang Lang | C Major | 1 | 8B | 134 BPM | ||
| Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM | ||
| Erik Satie: Gymnopédie No. 3 | Pyotr Godunov | A Minor | 0 | 8A | 132 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
| Valse Sentimentale | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D♭ Major | 0 | 3B | 107 BPM | ||
| 13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | G Major | 0 | 9B | 74 BPM | ||
| Nocturne No. 19 in E Minor, Op. 72 No. 1 | Frédéric Chopin, Benjamin Grosvenor | D Major | 0 | 10B | 138 BPM |