Todd Day Wait's 'Tomorrow' had a release date set for March 14, 2025. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Todd Day Wait's "Letters From The Road" album is number 2 out of 10. Tomorrow is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Tomorrow by Todd Day Wait to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Buildings | Justin Wells | G Major | 3 | 9B | 117 BPM | ||
| Birds Fly | Kassi Valazza | A♭ Major | 5 | 4B | 131 BPM | ||
| That Girl's Awful | Phillip Coleman | D♭ Major | 7 | 3B | 91 BPM | ||
| Blues in Heaven | The Deslondes, Sam Doores | B♭ Major | 2 | 6B | 147 BPM | ||
| The Man in the Booth | Dean Johnson | G Major | 4 | 9B | 149 BPM | ||
| Postcard from Paradise | Scott Ballew | E♭ Major | 4 | 5B | 84 BPM | ||
| In This Town | Rambler Kane | E Major | 4 | 12B | 128 BPM | ||
| Coyote | Ken Pomeroy, John Moreland | C Major | 2 | 8B | 102 BPM | ||
| Gran Turismo | Chris Acker | E Major | 6 | 12B | 109 BPM | ||
| Didn't We Dance | Will Stewart | C Major | 3 | 8B | 105 BPM | ||
| Big Benjamin | Justin Wells | G Major | 3 | 9B | 117 BPM | ||
| Lay a Burden on Me | The Brudi Brothers | D♭ Major | 2 | 3B | 122 BPM | ||
| I've Been Here Too Long | Theo Lawrence | F Major | 5 | 7B | 119 BPM | ||
| Blue Moon | Dean Johnson | G Major | 4 | 9B | 116 BPM | ||
| Draw the Line | Dylan Earl | D Major | 6 | 10B | 112 BPM | ||
| Endless Hole | Garrett T. Capps | F Major | 7 | 7B | 148 BPM | ||
| Still Someone | The Deslondes | F Minor | 5 | 4A | 188 BPM | ||
| Pennsylvania Hills | Pat Reedy | G Major | 6 | 9B | 158 BPM | ||
| I Ain't Crying | Bar Jay Bar | C Major | 6 | 8B | 119 BPM | ||
| Old Tv | Dean Johnson | E Major | 2 | 12B | 103 BPM | ||
| Iron and Dust | Oliver Woolaver | D Major | 4 | 10B | 94 BPM | ||
| Baby Oh Well | Skinny Dyck | E♭ Major | 7 | 5B | 139 BPM | ||
| Six Volts | Fred Eaglesmith | D Major | 2 | 10B | 180 BPM | ||
| Lonesome Sound | Bob Sumner | E Major | 1 | 12B | 152 BPM | ||
| Shooting Star - Live from A Mile High | Benjamin Tod, Lost Dog Street Band | F Major | 7 | 7B | 122 BPM |