"We Finish the Play" by Víctor Reyes had its release date on December 3, 2021. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Víctor Reyes's "Love Gets a Room (Original Motion Picture Soundtrack)" album is number 11 out of 19. On top of that, France appears to be the country where this track was created. We Finish the Play is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Finish the Play by Víctor Reyes to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Language | Nanny Jones, Nana Jones | C Major | 3 | 8B | 85 BPM | ||
| Paddington Plaza | John Powell, David Buckley | C Major | 4 | 8B | 80 BPM | ||
| Paciencia Necesaria | Casualidades Del Destino | A Minor | 0 | 8A | 102 BPM | ||
| Return to England | Joseph Trapanese | G Minor | 2 | 6A | 118 BPM | ||
| I Remember Everything | John Powell, David Buckley | F Major | 3 | 7B | 76 BPM | ||
| Hospital Ward | Howard Shore | G Major | 2 | 9B | 112 BPM | ||
| The Bond Remains | Pinar Toprak, Gerrit Wunder | C Major | 6 | 8B | 137 BPM | ||
| Room 410 | Federico Jusid | C Major | 0 | 8B | 93 BPM | ||
| Contraposiciones | Verdes Atardeceres | B♭ Minor | 3 | 3A | 115 BPM | ||
| He Took It | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Picket Lines | Alexandre Desplat | D♭ Major | 1 | 3B | 172 BPM | ||
| First Day in Court | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| Rorschach | Brian Tyler | A Minor | 3 | 8A | 86 BPM | ||
| Irreversible | Jeroen Swinnen, David Martijn | C Minor | 1 | 5A | 67 BPM | ||
| The Age of Disclosure | Blair Mowat | C Major | 1 | 8B | 66 BPM | ||
| A Tragedy in LaBelle | Carlos Rafael Rivera | D♭ Minor | 2 | 12A | 89 BPM | ||
| Conviviendo | Víctor Reyes | C Major | 3 | 8B | 61 BPM | ||
| Domini màgic | Aleix Garriga, Els Brocs, Víctor Reyes, Toni Lledó, Jordi Urgell, Xavi Vilà | D Major | 8 | 10B | 97 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Horizon | Fezela | D Major | 3 | 10B | 85 BPM | ||
| House of Judgment | James Horner, Simon Franglen, James Horner, Simon Franglen | F♯ Minor | 0 | 11A | 65 BPM | ||
| He Never Told Me His Real Name | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Addicted to a Certain Lifestyle | David Arnold, Michael Price | C Major | 0 | 8B | 93 BPM | ||
| Helpful Goat | Joseph Trapanese, The Budapest Art Orchestra | C Major | 0 | 8B | 149 BPM | ||
| Ascension of the Iron Skies | Adrian Valkor | C Major | 0 | 8B | 93 BPM |