"Lose Blätter, Op. 13: VIII. Sarabande" by Max Reger, Irene Cantos had its release date on September 3, 2025. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Lose Blätter, Op. 13: VIII. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in "057 Classical Music Essentials": Angelico, so we believe that "Lose Blätter, Op. 13: VIII. Sarabande" is a single. Lose Blätter, Op. 13: VIII. Sarabande is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lose Blätter, Op. 13: VIII. Sarabande by Max Reger, Irene Cantos is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | ||
| Romae Villae | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
| Suite No. 3, Op. 19 No. 1: III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM | ||
| Prelude No. 3 | Florence Ewart, Jeanell Carrigan | A Minor | 0 | 8A | 74 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| The Kingdom, Op. 51: IIIa. Pentecost (And when the day of Pentecost was fully come) | Edward Elgar, Benjamin Hulett, Ashley Riches, London Mozart Players, Crouch End Festival Chorus, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| Song 20 - Arr. for Vocal Ensemble by Timothy Roberts & Patrick Dunachie | Orlando Gibbons, The King's Singers, Jeremy West | F Minor | 0 | 4A | 70 BPM | ||
| D'Indy : Symphonie sur un chant montagnard, 'Cévenole' Op.25 : II Assez modéré, mais sans lenteur | Vincent d'Indy, Marek Janowski, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 56 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| Concerto for 2 Pianos in C Major, WoO 29 | William Sterndale Bennett, George Alexander Macfarren, Simon Callaghan, Royal Northern Sinfonia, Martin Yates, Hiroaki Takenouchi | C Major | 1 | 8B | 131 BPM | ||
| Ely of July | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| Paulus: I. Teil: Nr. 10 Chor "Siehe, wir preisen selig die erdultet haben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 145 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: I. Prélude | César Franck, Vincent Dubois | B Minor | 0 | 10A | 56 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
| Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Kodály: Mountain Nights: No. 1, Andantino | Zoltán Kodály, Ilona Andor, Kodaly Girls Choir | F Minor | 0 | 4A | 70 BPM | ||
| 3 Czech Dances, H. 154: No. 3, Polka | Bohuslav Martinů, Joseph Havlat | F Major | 2 | 7B | 102 BPM | ||
| Symphony in B-Flat Major, Hob. I:102: IV. Finale. Presto | Joseph Haydn, Ádám Fischer, Österreichisch-Ungarische Haydn Philharmonie | F Minor | 0 | 4A | 70 BPM | ||
| Liebeslied, S. 566 (After Schumann's Op. 25 No. 1) | Franz Liszt, Kasparas Uinskas | A♭ Major | 1 | 4B | 69 BPM |