Malabika Mukherjee, Satinath Mukherjee's 'Gaanguli Mor' had a release date set for January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rabindranath Tagore, Malabika Mukherjee, Satinath Mukherjee's "Mel Bandhan" album is number 2 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Gaanguli Mor is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Gaanguli Mor by Malabika Mukherjee, Satinath Mukherjee to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aji Shrabanghanagahan Mohe | Debabrata Biswas | F Major | 4 | 7B | 180 BPM | ||
| Hari Mon Mojaye | Manabendra Mukherjee | D♭ Major | 3 | 3B | 78 BPM | ||
| Jodi Jantem | Subhamita | E Minor | 2 | 9A | 77 BPM | ||
| Patho Cheye Bose Achi | Babul Bose, Babul Supriyo | A♭ Major | 2 | 4B | 93 BPM | ||
| Hare Krishna Vol 2 Part 5 - Original | Bitu Samajpati, NA | G Major | 7 | 9B | 95 BPM | ||
| Ke Baleche Ma Aamar | Parikshit Bala | E♭ Minor | 5 | 2A | 155 BPM | ||
| Parbinema Sachimata | Parikshit Bala | E♭ Minor | 5 | 2A | 136 BPM | ||
| London Jabo Haowai Garite | Bhupen Hazarika | D♭ Minor | 3 | 12A | 81 BPM | ||
| De Maa Amay Tabildari - Original | Ramkumar Chattopadhyay, NA | F♯ Major | 4 | 2B | 140 BPM | ||
| Tumi Bharat Mata | Gostho Gopal Das | D♭ Major | 4 | 3B | 131 BPM | ||
| Jagiya Loho Krishna Naam | Apily Dutta Bhowmick | C Major | 6 | 8B | 116 BPM | ||
| Na Bole Keno Chole Jai | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Katobar Bhebechhinu Apona Bhuliya (1885) | Swagatalakshmi Dasgupta | E Major | 3 | 12B | 114 BPM | ||
| Mon Tui Morli | Manna Dey | B♭ Major | 5 | 6B | 97 BPM | ||
| Bokul Ful Bokul Ful | Pousali Banerjee | G Major | 5 | 9B | 120 BPM | ||
| Tumi Nirmal Karo | Haimanti Sukla | A Major | 2 | 11B | 119 BPM | ||
| Hey Yogeshwar Hey Lokeshwar | Kumar Sanu, Kajori Guha | C Major | 5 | 8B | 170 BPM | ||
| Ore Kon Ba Jharer Bansh Re | Gostho Gopal Das | F Major | 5 | 7B | 103 BPM | ||
| Gurudev Datta | Suman Datta | E♭ Major | 4 | 5B | 185 BPM | ||
| Tomar Dekha Pabo | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Hasimukhe Basi Phul With Narration | Firoza Begum, Satinath Mukherjee | E♭ Major | 5 | 5B | 137 BPM | ||
| Shaya Ne Gour Swapane Gour | Amar Pal | F♯ Major | 3 | 2B | 115 BPM | ||
| Tumi Rabe Nirabe | Rana Dhanuka, Satinath Mukherjee | B Major | 4 | 1B | 113 BPM | ||
| Mon Tor Eto Bhabna | Srikanta Acharya | D Major | 4 | 10B | 154 BPM | ||
| Aar Janame Jaba Haba | Parikshit Bala | D♭ Minor | 1 | 12A | 83 BPM |