On September 18, 2020, the song "Twilight Falls" was released by Primetime Tracks, Matthew C. Vander Boegh. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Twilight Falls's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 17 in Ambient Tension, Vol. 1 by Primetime Tracks. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Twilight Falls's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Twilight Falls by Primetime Tracks, Matthew C. Vander Boegh is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucky Guess | Trevor Kowalski | C Minor | 2 | 5A | 70 BPM | ||
| To the End of the Line | Rachel Sandy | D Major | 2 | 10B | 108 BPM | ||
| Eternal Darkness | Zoltan Zadori, Primetime Tracks | D Major | 8 | 10B | 94 BPM | ||
| Honmani | Paul Croteau, Primetime Tracks | G Major | 5 | 9B | 160 BPM | ||
| Latin Passion | Medité | A Minor | 1 | 8A | 110 BPM | ||
| Silent Approval | Howard Harper-Barnes | C Minor | 3 | 5A | 120 BPM | ||
| Un baiser sous la pluie | Cole Peers trio | D Minor | 2 | 7A | 114 BPM | ||
| Say Less | Bern Ban, Primetime Tracks | E♭ Major | 1 | 5B | 124 BPM | ||
| Moment Of Truth | Adrian Raso, Primetime Tracks | D♭ Major | 9 | 3B | 128 BPM | ||
| Gentle Waves | Francis Wells | D♭ Major | 4 | 3B | 121 BPM | ||
| What Might Have Been | Francis Wells | D♭ Major | 4 | 3B | 150 BPM | ||
| Design the Future | Paul Reeves | B Minor | 4 | 10A | 103 BPM | ||
| Derby Day | Chris Roden, Primetime Tracks | E♭ Major | 1 | 5B | 124 BPM | ||
| Mind Maze | Anthony Dann, Primetime Tracks | D Minor | 2 | 7A | 92 BPM | ||
| In The Clouds | Primetime Tracks, Nordic Dunn | F Minor | 5 | 4A | 180 BPM | ||
| Dandelions | Claudio Constantini | C Major | 2 | 8B | 118 BPM | ||
| Do You Recall | Francis Wells | C Major | 4 | 8B | 160 BPM | ||
| Imber | Christoffer Moe Ditlevsen | F♯ Minor | 3 | 11A | 140 BPM | ||
| Last Light | nordic, Primetime Tracks | E Major | 6 | 12B | 120 BPM | ||
| Machine Core | Mark Morgon-Shaw, Primetime Tracks | D Major | 8 | 10B | 99 BPM | ||
| Candlelight Cinema | Lance Conrad, Peter John, Cicely Parnas, Spearfisher | D♭ Major | 3 | 3B | 138 BPM | ||
| Betrayal | Konessi, Primetime Tracks | B Major | 8 | 1B | 101 BPM | ||
| Water and Stone | Will Van De Crommert | A♭ Major | 5 | 4B | 168 BPM | ||
| Scorpion Dance | Mike Franklyn | C Major | 7 | 8B | 111 BPM | ||
| Heed | Frederic Sans | A Minor | 4 | 8A | 135 BPM |