On May 11, 2023, the song "Gyaras Ki Hai Raat - Rajasthani" was released by Rajendra Vyas. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. Because this song is the only song in Gyaras Ki Hai Raat and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Gyaras Ki Hai Raat - Rajasthani is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gyaras Ki Hai Raat - Rajasthani by Rajendra Vyas to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thare Darshan Su | Rajendra Vyas | F Minor | 7 | 4A | 93 BPM | ||
| Jhulawaa Lagal Baa | Rajendra Vyas | B♭ Minor | 7 | 3A | 82 BPM | ||
| Mamta Maayi Maa | Shahnaz Akhtar | E♭ Major | 7 | 5B | 100 BPM | ||
| Raghav Lalan Tere Komal Charan (Bhajan) - Live | Pujya Rajan Ji Official | B♭ Minor | 7 | 3A | 114 BPM | ||
| Ram Naam Ke Heerey Moti Main Bikhraun Gali Gali | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 6 | 6A | 143 BPM | ||
| Dinanath Meri Bat | Shyam Singh Chouhan | F Minor | 6 | 4A | 95 BPM | ||
| Tere Dar Ko Main Chhod Kahaan Jaun | Ram Kumar Lakkha | C Minor | 9 | 5A | 95 BPM | ||
| Kripa Karo Hum Pe Shyam Sundar | Mishra Bandhu | B Minor | 9 | 10A | 104 BPM | ||
| Yadi Tu Banitu Mai Hamke Pujariya | Rajendra Vyas | D♭ Major | 7 | 3B | 115 BPM | ||
| Jai Radhe Jai Shree Krishna Bolo | Radha Krishnaji Maharaj | F♯ Major | 8 | 2B | 122 BPM | ||
| Tera Tha Hu Rahunga | Reshmi Sharma | G Major | 8 | 9B | 100 BPM | ||
| He ri mai to prem deewani | Ayodhyadas Nimavat | A♭ Minor | 7 | 1A | 175 BPM | ||
| Teri Kripa Hi Mera | Sadhvi Purnima | C Minor | 5 | 5A | 168 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| BABA MAIN HAARA HU | Kanhiya Mittal | D♭ Major | 6 | 3B | 150 BPM | ||
| Saanwre Aate Raha Karo | Anjali Dwivedi | D♭ Major | 9 | 3B | 138 BPM | ||
| SANWARIYO HAI SETH MARI RADHA JI SETHANI HAI | Bhagwat Suthar | A♭ Major | 9 | 4B | 77 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Mishri Se Mitho Naam | Devi Neha Saraswat | D Minor | 6 | 7A | 130 BPM | ||
| Mukh Duniya Modegi | Sadhvi Poornima | D♭ Minor | 6 | 12A | 81 BPM | ||
| Padharo Shyam Baba | Reshmi Sharma | E♭ Major | 7 | 5B | 150 BPM | ||
| Deewana Sanware Ka | Anup Jalota | C Major | 5 | 8B | 97 BPM | ||
| Chali Jaa Rahi Hai Umar Dheere Dheere | Prakash Gandhi | F♯ Minor | 7 | 11A | 148 BPM | ||
| Jahan Le Chaloge Wahin Main Chalunga | Devi Chitralekha | D♭ Minor | 6 | 12A | 105 BPM |