"15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 7, Lord Akeman" by Traditional, Nicky Spence, William Vann had its release date on April 22, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Ralph Vaughan Williams: Folk Songs, Vol. 4". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of 15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 7, Lord Akeman is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 7, Lord Akeman by Traditional, Nicky Spence, William Vann having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| Antienne "O Sacrum Convivium" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 1 | 9B | 173 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| Tungamira | Laudate Mennonite Ensemble | F Major | 1 | 7B | 97 BPM | ||
| Advent Song | Adam Václav Michna z Otradovic, Symposium Musicum, Gutta musicae, Svatopluk Jányš | B♭ Major | 1 | 6B | 102 BPM | ||
| Pater Meus | UNIVERSITY OF JOHANNESBURG CHOIR | B Minor | 1 | 10A | 136 BPM | ||
| A Hymne to God the Father | Pelham Humfrey, Grace Davidson, Julian Perkins | F♯ Minor | 0 | 11A | 170 BPM | ||
| The Huron Carol | Spiritus Chamber Choir | A Minor | 1 | 8A | 107 BPM | ||
| Gregorian Chants Relaxing Spiritual Benedictine | Capella Gregoriana Easo, Byzantine Choir, Traditional | F Major | 2 | 7B | 106 BPM | ||
| Aandgesang | Chris Lamprecht, University Of Pretoria Camerata, Johann van der Sandt | C Minor | 2 | 5A | 117 BPM | ||
| Agnus Dei | Samuel Barber, Seán Matthew Deibler, Choral Arts Society of Philadelphia, The Music Group of Philadelphia | B Major | 2 | 1B | 72 BPM | ||
| Lux Aurumque | Eric Whitacre, Johann van der Sandt, Singkronies Chamber Choir | D♭ Minor | 0 | 12A | 130 BPM | ||
| Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
| O Radix Jesse | Rihards Dubra, Choir of Merton College, Oxford, Benjamin Nicholas | G Major | 2 | 9B | 128 BPM | ||
| The Shower | Edward Elgar, Traditional, Trondheim Kammerkor | F Minor | 0 | 4A | 139 BPM | ||
| Praeludium in E Minor: "Big" | Nicolaus Bruhns, Andrej Harinek | G Major | 1 | 9B | 70 BPM | ||
| Tantum Ergo | Anonymous, Westminster Williamson Voices, James Jordan | E Minor | 0 | 9A | 115 BPM | ||
| Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 138 BPM | ||
| Cherubic Hymn: No. 7, — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | G Minor | 0 | 6A | 144 BPM | ||
| Maria durch ein Dornwald ging (Arr. P. Lawson) | Traditional, Papagena | F Major | 1 | 7B | 170 BPM | ||
| Marianne (arr. P. Wilby) | Philip Wilby, Traditional, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E Major | 0 | 12B | 76 BPM | ||
| Shall We Gather at the River | Traditional, Joel Cohen, Boston Camerata | E♭ Major | 0 | 5B | 136 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM |