Ends With A Bullet's ' "Coming Home" was released on its scheduled release date, June 5, 2017. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in Ends With A Bullet by Ends With A Bullet. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Coming Home's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Coming Home by Ends With A Bullet is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Rastro na Areia | Ruptura | F♯ Major | 6 | 2B | 188 BPM | ||
| Welcome To The Life You Chose | Surrender The Crown | A♭ Major | 10 | 4B | 188 BPM | ||
| Late Night Tsunami | Martha Gibson | F♯ Major | 6 | 2B | 188 BPM | ||
| Devious | My Diligent Future | B Minor | 10 | 10A | 144 BPM | ||
| Misery | Ends With A Bullet | A♭ Major | 9 | 4B | 155 BPM | ||
| Things That Almost Happened | Anonymous | F♯ Major | 6 | 2B | 188 BPM | ||
| Brittle Ghost | Anonymous | F♯ Major | 6 | 2B | 188 BPM | ||
| Curtain Call | Our Waking Hour | D♭ Minor | 9 | 12A | 167 BPM | ||
| Glistening Innuendos | Brandon Collins | F♯ Major | 6 | 2B | 188 BPM | ||
| You Still Are You | Eyes Wide Open | D♭ Major | 9 | 3B | 162 BPM | ||
| Empty Mirrors | Everyone Loves A Villain | A♭ Major | 9 | 4B | 176 BPM | ||
| I Am Not Sorry | Machine Six | F♯ Major | 6 | 2B | 188 BPM | ||
| Welcome to the Pain | Beyond the Fade | E♭ Major | 9 | 5B | 102 BPM | ||
| Frozen Words | Anonymous | F♯ Major | 6 | 2B | 188 BPM | ||
| Insanity | BrokenRail | E♭ Minor | 10 | 2A | 166 BPM | ||
| Your Sin | Take The Day | F♯ Major | 9 | 2B | 108 BPM | ||
| Cicatrices Abiertas | BRUMA | F♯ Major | 6 | 2B | 188 BPM | ||
| Thunderclash Rebellion | Echo The Roaring Lioness | D♭ Major | 9 | 3B | 124 BPM | ||
| My Only Light | iMz Sound | F♯ Major | 6 | 2B | 188 BPM | ||
| What's Left of Me | Urban Gorillas | B Minor | 8 | 10A | 146 BPM | ||
| Here I Am | Escape The Day | B Major | 10 | 1B | 155 BPM | ||
| Middlefield | Matt Guillory | F Major | 9 | 7B | 95 BPM | ||
| Unbreakable | Add1ction | B Major | 9 | 1B | 95 BPM | ||
| The Fray | Ends With A Bullet | D Major | 9 | 10B | 95 BPM | ||
| Colder | Ravenface | A♭ Minor | 9 | 1A | 140 BPM |