Lil Hardin Armstrong And Her Orchestra's ' "Clip Joint" was released on its scheduled release date, January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 8 in Chicago: The Living Legends by Lil Hardin Armstrong And Her Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Clip Joint is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Clip Joint by Lil Hardin Armstrong And Her Orchestra is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blow Me a Fat Note | Lavay Smith & Her Red Hot Skillet Lickers | F Minor | 4 | 4A | 200 BPM | ||
| If Felt So Good To Be So Bad | Alex Pangman, Bucky Pizzarelli | D Major | 7 | 10B | 197 BPM | ||
| Feed the Fire | Geri Allen, Palle Danielsson, Lenny White, Johnny Coles | B♭ Major | 4 | 6B | 115 BPM | ||
| Long, Long Journey | Allen Toussaint | B♭ Major | 2 | 6B | 70 BPM | ||
| Slidin' and Glidin' | Cootie Williams | F Major | 4 | 7B | 174 BPM | ||
| Wild Women Don't Have The Blues | Ida Cox, Coleman Hawkins Quintet | A♭ Major | 2 | 4B | 81 BPM | ||
| Who Dat Up Dere? | Woody Herman & His Orchestra | D Minor | 7 | 7A | 120 BPM | ||
| Summertime | The Sign Posters | B♭ Minor | 2 | 3A | 100 BPM | ||
| Les Feuilles Mortes / Autumn Leaves | Dee Dee Bridgewater | A Minor | 1 | 8A | 115 BPM | ||
| Addicted To Love | The Hot Sardines | C Major | 3 | 8B | 138 BPM | ||
| Soft | Tiny Bradshaw & His Orchestra | C Major | 7 | 8B | 83 BPM | ||
| That's What You Call Romance | Slim & Slam | D♭ Major | 1 | 3B | 68 BPM | ||
| You & I (feat. Margaret Glaspy) | Éyal Hai, Margaret Glaspy | E Major | 3 | 12B | 132 BPM | ||
| Crawling the Walls | Dave Gross | F Minor | 6 | 4A | 83 BPM | ||
| Eight, Nine and Ten | Gordon Webster, Hetty Kate | E♭ Major | 4 | 5B | 176 BPM | ||
| Calypso Blues | Youn Sun Nah, Lars Danielsson, Ulf Wakenius, Xavier Desandre Navarre | E♭ Minor | 1 | 2A | 119 BPM | ||
| Sassy's Blues - Live At Tivoli Garden, Copenhagen / 1963 | Sarah Vaughan | C Major | 5 | 8B | 127 BPM | ||
| Light Bends (Live Session) | Ashni | E♭ Major | 1 | 5B | 144 BPM | ||
| A Sunday Kind Of You | Dinah Washington & Orchestra | C Minor | 2 | 5A | 69 BPM | ||
| He's A Real Gone Guy | Nellie Lutcher | D♭ Major | 3 | 3B | 120 BPM | ||
| She's Got The Blues For Sale (04-21-47) | Billy Eckstine | F Major | 2 | 7B | 136 BPM | ||
| I Don't Have a Problem | Amanda Ginsburg, Andy Fite | D♭ Major | 1 | 3B | 68 BPM | ||
| Muddy Water | Madeleine Peyroux | G Major | 2 | 9B | 99 BPM | ||
| My Man Stands Out - Alternate Take | Julia Lee And Her Boyfriends | A♭ Major | 3 | 4B | 80 BPM | ||
| Me and My Gin | Bessie Smith | B♭ Major | 1 | 6B | 92 BPM |