Ricky Mitchell's 'Last Night in London' had a release date set for May 1, 2020. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Last Night in London and no other songs are present in the album, we classify this track as a single. Last Night in London is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Last Night in London by Ricky Mitchell to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strange Boat | Andacoustix | A Major | 2 | 11B | 100 BPM | ||
| Too Drunk to Try | Zach Welch, Parker Ryan | A♭ Major | 2 | 4B | 116 BPM | ||
| I Want to Be in Love so Bad | Tyler Hilton | G Major | 5 | 9B | 144 BPM | ||
| Walk by Faith | Sundy Best | C Minor | 6 | 5A | 169 BPM | ||
| Look at Us Now (Honeycomb) | Colin & Caroline | E Minor | 4 | 9A | 138 BPM | ||
| Memories Of You | Cody Pennington | F♯ Major | 8 | 2B | 102 BPM | ||
| Back Home | Bukahara | F Major | 5 | 7B | 167 BPM | ||
| Rosewood | Winter Woods | D Major | 5 | 10B | 126 BPM | ||
| WildHeart | Henrik Johannessen & The Roots, Henrik Johannessen | C Major | 6 | 8B | 110 BPM | ||
| Boys of Summer | The Janzen Boys | D Major | 3 | 10B | 90 BPM | ||
| The End | Jay Smith, Maja Gullstrand | F Major | 4 | 7B | 86 BPM | ||
| Sit | Dan Arwady, Harry Griffin | E Major | 2 | 12B | 87 BPM | ||
| Novelty | Ken Yates | G Major | 4 | 9B | 110 BPM | ||
| She Loves Me Not | Freight Train Foxes | F Minor | 2 | 4A | 132 BPM | ||
| The Hole I've Left | Ricky Mitchell | A Major | 3 | 11B | 168 BPM | ||
| Morning Comes | Bobby Bazini | G Major | 3 | 9B | 137 BPM | ||
| Soul | Ricky Mitchell | E Major | 6 | 12B | 99 BPM | ||
| Washington Lilacs | Zach Bryan | B♭ Minor | 3 | 3A | 76 BPM | ||
| Sincinatti | Jesse Daniel Smith | A Minor | 5 | 8A | 128 BPM | ||
| Hearts Alone Again | Ryan Necci and The Buffalo Gospel | G Major | 4 | 9B | 75 BPM | ||
| Tough Love | Matthew Amy | E♭ Major | 4 | 5B | 156 BPM | ||
| Egg Shells | Jacko Hooper | B♭ Major | 1 | 6B | 143 BPM | ||
| Repetitions | Jon Danforth | G Major | 5 | 9B | 101 BPM | ||
| Too Far Gone. | Ethan Reeves | E Major | 7 | 12B | 105 BPM | ||
| Just Close Enough | American Aquarium | G Major | 8 | 9B | 127 BPM |