On October 20, 2007, the song "Le face-à-face" was released by Natalie Dessay, Ensemble Agora. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Le face-à-face's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Natalie Dessay, Ensemble Agora's "La boîte à joujoux" album is number 10 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Le face-à-face is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le face-à-face by Natalie Dessay, Ensemble Agora to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ariadne auf Naxos, Op. 60 / Prologue: "Du allmächtiger Gott!" | Richard Strauss, Anne Sofie von Otter, Ben Heppner, Natalie Dessay, Deborah Voigt, Albert Dohmen, Michael Howard, Staatskapelle Dresden, Giuseppe Sinopoli | F Major | 1 | 7B | 69 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 2: Chanson d'Olympia. "Les oiseaux dans la charmille" (Olympia, Chœur) | Jacques Offenbach, Kent Nagano, Natalie Dessay, Choeur De l'Opéra National De Lyon, Orchestre De L'Opéra National De Lyon | C Major | 0 | 8B | 98 BPM | ||
| Così fan tutte, K. 588 / Act I: "Di scrivermi ogni giorno" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 0 | 7B | 100 BPM | ||
| Bellini: I Capuleti e i Montecchi, Act I: "Oh! Quante volte" (Giulietta) | Vincenzo Bellini, Natalie Dessay, Evelino Pidò, Concerto Köln | G Minor | 0 | 6A | 75 BPM | ||
| Handel / Orch Orfeo 55: Alcina, HWV 34, Act 2: "Ah, mio cor, schernito sei " (Alcina) [Orch. Orfeo 55] | George Frideric Handel, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 2 | 11A | 60 BPM | ||
| Monteverdi: Madrigali guerrieri, et amorosi: Lamento della ninfa, SV 163 | Claudio Monteverdi, Emmanuelle Haïm, Christopher Purves, Le Concert d'Astrée, Natalie Dessay, Simon Wall, Topi Lehtipuu | B♭ Minor | 1 | 3A | 82 BPM | ||
| Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | ||
| Salve Regina in C Minor - Transp. in A-Flat Minor | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 82 BPM | ||
| Stabat Mater RV 621: I. Largo | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | F Minor | 1 | 4A | 105 BPM | ||
| Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM | ||
| Legrand: Paris Violon | Michel Legrand, Natalie Dessay, François Laizeau, Pierre Boussaguet | G Minor | 4 | 6A | 136 BPM | ||
| Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
| Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Les nuits d'été, H. 81b: Le spectre de la rose, H. 83b | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
| Hahn: Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Philippe Jaroussky | B Major | 0 | 1B | 83 BPM | ||
| Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 3, Aria. "Höchster, mache deine Güte" | Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 1 | 1B | 87 BPM | ||
| Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" | Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Neil Brough, Le Concert d'Astrée | B Major | 1 | 1B | 87 BPM | ||
| Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
| Strauss: Der Rosenkavalier, Op. 59, Act II: "Mir ist die Ehre widerfahren" (Octavian, Sophie) | Richard Strauss, Natalie Dessay, Angelika Kirchschlager, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
| Die tote stadt: Act I: Glück, das mir verblieb (Marietta's Lied) | Erich Wolfgang Korngold, Leontyne Price, Nello Santi | B♭ Major | 2 | 6B | 78 BPM | ||
| Bellini: La sonnambula, Act I: "Care compagne, e voi, teneri amici" (Amina, Chorus) | Vincenzo Bellini, Natalie Dessay, Choeur De l'Opéra National De Lyon, Orchestre De L'Opéra National De Lyon, Evelino Pidò | B♭ Major | 2 | 6B | 67 BPM | ||
| Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
| Berlioz: Les nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
| Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM |